Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
Making up now for lost time, we rode on as far as the house built in
1850 for Mariette’s accommodation during the excavation of the
Serapeum--a labor which extended over a period of more than four years.
The Serapeum, it need hardly be said, is the famous and long-lost
sepulchral temple of the sacred bulls. These bulls (honored by the
Egyptians as successive incarnations of Osiris) inhabited the temple of
Apis at Memphis while they lived; and, being mummied after death, were
buried in catacombs prepared for them in the desert. In 1850, Mariette,
traveling in the interests of the French government, discovered both the
temple and the catacombs, being, according to his own narrative,
indebted for the clew to a certain passage in Strabo, which describes
the Temple of Serapis as being situate in a district where the sand was
so drifted by the wind that the approach to it was in danger of being
overwhelmed; while the sphinxes on either side of the great avenue were
already more or less buried, some having only their heads above the
surface. “If Strabo had not written this passage,” says Mariette, “it is
probable that the Serapeum would still be lost under the sands of the
necropolis of Sakkârah. One day, however (in 1850), being attracted to
Sakkârah by my Egyptological studies, I perceived the head of a sphinx
showing above the surface. It evidently occupied its original position.
Close by lay a libation-table on which was engraved a hieroglyphic
inscription to Apis-Osiris. Then that passage in Strabo came to my
memory, and I knew that beneath my feet lay the avenue leading to the
long and vainly sought Serapeum. Without saying a word to any one I got
some workmen together and we began excavating. The beginning was
difficult; but soon the lions, the peacocks, the Greek statues of the
Dromos, the inscribed tablets of the Temple of Nectanebo[11] rose up
from the sands. Thus was the Serapeum discovered.”
Public-domain text, read in full here on John Shaqi.
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