The officials of the Sunday League, with many persons in the audience,
now made great and partially successful efforts to prevent a general
rush. Shouts of “Sit down! sit down!” came from all parts of the
building. The bandsmen were the first to resume their seats, and while
the outgoing crowd was checked and marshalled into some sort of order,
others set a good example, and, realising that there was absolutely no
reason for panic, settled down as if intending to remain throughout
the programme. But by a wise discretion on the part of the conductor,
the concert was abandoned. At a signal, the familiar first bar of the
National Anthem brought all to their feet again; then, turning to the
audience, the wielder of the bâton invited them to join; and, with
extraordinary volume and fervour, “God Save the King” brought the
concert to a close. A terrible catastrophe had been averted; for, by
marvellous good fortune, no life was lost in the frantic effort of a
section of the audience to escape. Those who were injured were being
hurried, half-fainting, into cabs, and those who were merely suffering
from shattered nerves sat on chairs in the corridors, while anxious
friends tried to restore them to some degree of self-control.
The swift reaction, born of unexpected safety, may perhaps account
in some measure for what followed. The woman whose scream had given
the first impulse to disturbance--afterwards recognised as a Spanish
dancer at the Empire music-hall--was suddenly seen to be moving down
the corridor in a wild, fantastic dance. Bursts of laughter greeted the
extraordinary and unlooked-for display. An avenue was made for her,
and on she danced. Her hat was gone; her long black hair had fallen to
her waist, and her eyes were blazing with the look of a demoniac. The
crowd closed after her, with fresh laughter, which presently gave place
to excited and wondering exclamations. Now she was in the entrance
hall, and one of the officials laid his hand upon her shoulder. She
shook herself free with a scream of foreign words. Another moment, and
those peering eagerly from the entrance steps and pavement, saw the
Bacchantic figure whirling in the street. The cries and tumultuous
shouts which arose among the crowd around the dancer, and the warning
shouts of the drivers of approaching vehicles, brought hosts of
visitors to the open windows of the Langham and the neighbouring
houses. Presently, those who could look down from these vantage points,
and others who now packed the steps of All Souls’ Church, saw with
bewilderment that the magnetism of example had drawn some six or seven
young girls and women into a kind of dance which imitated the movements
of the Spaniard.
Public-domain text, read in full here on John Shaqi.
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