Passing the bridge, by a rapid stream, came presently to the Eagle's
Nest: having viewed this rock from places where it appears only a part of
an object much greater than itself, I had conceived an idea that it did
not deserve the applause given it, but upon coming near I was much
surprised; the approach is wonderfully fine, the river leads directly to
its foot, and does not give the turn till immediately under, by which
means the view is much more grand than it could otherwise be; it is
nearly perpendicular, and rises in such full majesty, with so bold an
outline, and such projecting masses in its centre, that the magnificence
of the object is complete. The lower part is covered with wood, and
scattered trees climb almost to the top, which (if trees can be amiss in
Ireland) rather weaken the impression raised by this noble rock. This
part is a hanging wood, or an object whose character is perfect beauty;
but the upper scene, the broken outline, rugged sides, and bulging
masses, all are sublime, and so powerful, that sublimity is the general
impression of the whole, by overpowering the idea of beauty raised by the
wood. This immense height of the mountains of Killarney may be estimated
by this rock; from any distant place that commands it, it appears the
lowest crag of a vast chain, and of no account; but on a close approach
it is found to command a very different respect.
Pass between the mountains called the Great Range, towards the upper
lake. Here Turk, which has so long appeared with a figure perfectly
interesting, is become, from a different position, an unmeaning lump.
The rest of the mountains, as you pass, assume a varied appearance, and
are of a prodigious magnitude. The scenery in this channel is great and
wild in all its features; wood is very scarce; vast rocks seem tossed in
confusion through the narrow vale, which is opened among the mountains
for the river to pass. Its banks are rocks in a hundred forms; the
mountain-sides are everywhere scattered with them. There is not a
circumstance but is in unison with the wild grandeur of the scene.
Coleman's Eye, a narrow pass, opens a different scenery. Came to a
region in which the beautiful and the great are mixed without offence.
The islands are most of them thickly wooded. Oak Isle in particular
rises on a pretty base, and is a most beautiful object: Macgillicuddy
Reeks, with their broken points; Baum, with his perfect cone; the Purple
Mountain, with his broad and more regular head; and Turk, having assumed
a new and more interesting aspect, unite with the opposite hills, part of
which have some wood left on them, to form a scene uncommonly striking.
Here you look back on a very peculiar spot; it is a parcel of rocks which
cross the lake, and form a gap that opens to distant water, the whole
backed by Turk, in a style of the highest grandeur.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account