The view from the steeple of this church is esteemed the most beautiful in Holland, and is remarkable fine and extensive; but the beauty of the scenery is principally _at a distance_, as the land immediately surrounding the town is boggy, dotted with piles of white turf. The chimes of this church, or as they are called, the Carillons, are very numerous, consisting of four or five hundred bells, which are celebrated for the sweetness of their tones. This species of music is entirely of Dutch origin, and in Holland and the countries that formerly belonged to her, it can only be heard in great perfection. The French and Italians have never imitated the Dutch in this taste; we have made the attempt in some of our churches, but in such a miserably bungling manner, that the nerves of even a Dutch skipper would scarcely be able to endure it. These carillons are played upon by means of a kind of keys communicating with the bells, as those of the piano forte and organ do with strings and pipes, by a person called the Carilloneur, who is regularly instructed in the science, the labor of the practical part of which is very severe, he being almost always obliged to perform in his shirt with his collar unbuttoned, and generally forced by exertion into a profuse perspiration, some of the keys requiring a two pound weight to depress them: after the performance, the Carilloneur is frequently obliged immediately to go to bed: by pedals communicating with the great bells, he is enabled with his feet to play the base to several sprightly and even difficult airs, which he performs with both his hands upon the upper species of keys, which are projecting sticks, wide enough asunder to be struck with violence and celerity by either of the two hands edgeways, without the danger of hitting the adjoining keys. The player uses a thick leather covering for the little finger of each hand, to prevent the excessive pain which the violence of the stroke, necessary to produce sufficient sound, requires: these musicians are very dextrous, and will play pieces in three parts, producing the first and second treble with the two hands on the upper set of keys, and the base as before described. By this invention a whole town is entertained in every quarter of it; that spirit of industry which pervades the kingdom, no doubt originally suggested this sudorific mode of amusing a large population, without making it necessary for them to quit their avocations one moment to enjoy them. They have often sounded to my ear, at a distance, like the sounds of a very sweet hand-organ; but the want of something to stop the vibration of each bell, to prevent the notes of one passage from running into another, is a desideratum which would render this sort of music still more highly delightful. Holland is the only country I have been in, where the sound of bells was gratifying. The dismal tone of our own on solemn occasions, and the horrible