A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
"The length of this church appears at first sight out of all proportion
to its width, but this is caused by the destruction of the great screen
which separated the choir from the nave. This splendid work, commenced
in the year 1500 by Robert Chardon, monk of the abbey, and of exquisite
lightness of design, and covered with admirable sculptures, was
barbarously demolished by the Vandals of 1802."—Essai sur l'Abbaye de
Fécamp, par Leroux de Lincy. Rouen, 1840.
CATHEDRAL CHURCH OF BAYEUX.
"The screen worked in Caen stone was a gift of the late Monsʳ. de
Mesmond. It is supported by six pillars of black marble, given by Canon
Baucher; it was commenced in 1698, and completed in 1700. Between the
pillars are excellent statues of the Blessed Virgin and S. Joseph, and
the whole is surmounted by an image of our Lord crucified, boldly
carved. It was erected on the 23rd of December, 1702."—Histoire de la
Ville de Bayeux, par M. Beziers. Caen, 1773.
N.B. The original screen was irreparably injured by the Calvinists, who
sacked this noble church in 1561. A full account of the sacrilege
committed by them, may be seen in the same work, p. 236.
S. RIQUIER, NEAR ABBEVILLE.
The original screen of this magnificent church was demolished, together
with the ancient choir fittings, by an unworthy abbot of the eighteenth
century; but even at that period, a screen of some kind was considered
indispensable, and one of wrought iron, about eighteen feet high, was
set up. I have figured this in the plates as a curious specimen of the
period.
S. WULFRAN, ABBEVILLE.
There is a rococo iron screen of about the same date as that at S.
Riquier, and probably executed by the same smiths. It is divided into
three compartments, with the gates in the centre.
[13] De Moleon mentions in his voyage that three silver crosses, each
holding three tapers, were suspended in the rood loft, under standing
candlesticks; he also describes the jubé as being built of marble, and
of what was considered in his time a fine design.
[14] _Extrait de l'Histoire de S. Ouen, de Rouen._
Public-domain text, read in full here on John Shaqi.
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