A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
There is no country in Christendom where so many screens are still
preserved and standing, as in England. Till within a very recent period,
every cathedral church had retained its ancient separation between the
nave and choir; but sad to relate, one of the most venerable of our
churches is now denuded of this most essential and ancient portion of
the fittings of a cathedral. I refer to Durham: where choir and nave are
thrown into one great vacant space, and all the dignity and reverence of
choir worship, suited to a capitular body, destroyed. Although the
screen was of most debased design, and erected by a Pagan architect
(Inigo Jones), at a Pagan period; yet, being placed in the old and
proper position, and having attained a respectable colour, through age,
it did its work, and was ten times preferable to the modern vacuum
caused by its removal. Indeed, all the alterations at Durham are so many
enormities. For centuries the western doors of the cathedral were
closed, a chapel built outside them, termed the Galilee, and an altar,
dedicated in honour of the Blessed Virgin, stood in the recess of the
centre door, but lately, without any reason, for, as I have before said,
no entrance can be obtained to the church from that end, have these
doors been opened, and the remains of the altar removed, thus destroying
one of the most curious traditions belonging to this venerable
cathedral. Even the old Cromwellian Puritans did not injure the church
so much as _its present restorers_, and it is greatly to be regretted
that there are no means to compel these authorities to desist from their
insane innovations. In the eyes of all true ecclesiologists Durham has
lost half its apparent length, half its grandeur, since it has lost its
screen, and it has got somewhat of the conventicle. But to return—York,
Lincoln, Southwell, Wells, Exeter, Bristol, Chichester, Canterbury,
Rochester, Chester, Norwich,[18] have all their old screens and
rood-lofts standing. These are too well known amongst persons interested
in this subject to need detailed description, but I may observe that
they nearly all are ascended by staircases in the thickness of the
eastern walls, rising up on each side, and that lateral altars in the
screens were not so common as on the continent. The roods, in all cases,
have been replaced by organs, which are badly placed both as regards the
chanters and the effect of the building. The only instance I have ever
met with the remains of a rood is at Columpton, near Exeter, where a
large block of oak, carved like rock-work, with a skull and bones,
evidently intended to represent Calvary, is still left, and in its upper
part a deep mortice to receive the end of the rood.
Public-domain text, read in full here on John Shaqi.
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