A Treatise on the Art of DancingGallini, Giovanni-Andrea
History
A Treatise on the Art of Dancing
Gallini, Giovanni-Andrea
Dance -- Early works to 1800; Dance -- History -- Early works to 1800; Theater -- History
But omitting to insist on the Spartan austerity, and especially
on their gimnastic training for both sexes, and to take the
milder methods of exercise in use among the Grecians, we find
that the chace, that foot-races, and especially dancing,
principally composed the amusement of the young ladies of that
country; where, in the great days of Greece, no maxim ever more
practically prevailed, than that sloth or inactivity was equally
the parent of diseases of the body, as of vices of the mind.
Agreeable to which idea, one of the greatest physicians now in
Europe, the celebrated Tronchin, while at Paris, vehemently
declaimed against this false delicacy and aversion against
exercise; from which the ladies, especially of the higher rank
of life, derived their bad habits of body, their pale color,
with all the principles of weakness, and of a puny diseased
constitution, which they necessarily intail on their innocent
children. Thence it was that he condemned the using oneself too
much to coaches or chairs, which, he observed, lowers the
spirits, thickens the humors, numbs the nerves, and cramps the
liberty of circulation.
Considering the efficacy of exercise, and that fashion has
abolished or at least confined among a very few, the more robust
methods of amusement, it can hardly not be eligible to cultivate
and encourage an art, so innocent and so agreeable as that of
dancing, and which at once unites in itself the three great
ends, of bodily improvement, of diversion, and of healthy
exercise. As to this last especially, it has this advantage, its
being susceptible at pleasure, of every modification, of being
carried from the gentlest degree of motion, up to that of the
most violent activity. And where riding is prescribed purely for
the sake of the power of the concussion resulting from it, to
prevent or to dissipate obstructions, the springs and agitations
of the bodily frame, in the more active kind of dances, can
hardly not answer the same purpose, especially as the motion is
more equitably diffused, and suffers no checks or partiality
from keeping the seat, as either in riding, or any other method
of conveyance. At least, such an entertainment, one would
imagine, preferable, for many reasons, to an excess of such
sedentary amusements as those of cards, and the like.
Certainly those of the fair sex who use exercise, will, in their
exemption from a depraved or deficient appetite, in the
freshness or in the glow of their color, in the firmness of
their make, in the advantages to their shape, in the goodness in
general of their constitution, find themselves not ill repaid
for conquering any ill-habit of false delicacy and sloth, to
which so many, otherwise fine young ladies, owe the disorders of
their stomach, their pale sickly hue, and that languid state of
health which must poison all their pleasures, and even endanger
their lives. These are not strained nor far-fetched
consequences.
Public-domain text, read in full here on John Shaqi.
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