A Treatise on the Art of DancingGallini, Giovanni-Andrea
History
A Treatise on the Art of Dancing
Gallini, Giovanni-Andrea
Dance -- Early works to 1800; Dance -- History -- Early works to 1800; Theater -- History
As to the ladies, there is one light in which perhaps they would
not do amiss to view the practice of this art, besides that of
mere diversion or improvement of their deportment: it is that of
its being highly serviceable to their health, and to what it can
never be expected they should be indifferent about, their
beauty, it being the best and surest way of preserving, or even
giving it to their whole person.
It is in history a settled point, that beauty was no where more
florishing, nor less rare, than among such people as encouraged
and cultivated exercise, especially in the fair sex. The various
provinces and governments in Greece, all agreed, some in a less,
some in a greater degree, in making exercise a point of female
education. The Spartans carried this to perhaps an excess, since
the training of the children of that sex, hardly yielded to that
of the male in laboriousness and fatigue. Be this confessed to
be an extreme: but then it was in some measure compensated by
its being universally allowed, that the Spartan women owed to it
that beauty in which they excelled the rest of the Grecian
women, who were themselves held, in that point, preferable to
the rest of the world. Hellen was a Spartan. Yet the legislator
of that people, did not so much as consider this advantage among
the ends proposed in prescribing so hardy an education to the
weaker sex. His views were for giving them that health and vigor
of body, which might enable them to produce a race of men the
fittest to serve their country in war.
But as the best habit of body is ever inseparable from the
greatest perfection of beauty, of which its possessor is
susceptible, it very naturally followed, that the good plight to
which exercise brought and preserved the females, gave also to
their shape, that delicacy and suppleness, and to their every
motion, that graceful agility which caracterized the Grecian
beauties, and distinguished them for that nymph-stile of figure,
which we to this day admire in the description of their
historians, of their poets, or in the representations that yet
remain to us in their statues, or other monuments of antiquity.
Public-domain text, read in full here on John Shaqi.
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