A Treatise on Wood Engraving, Historical and PracticalChatto, William Andrew
History
A Treatise on Wood Engraving, Historical and Practical
Chatto, William Andrew
Wood-engraving
“In a _cartouch_[I-38] or frontispiece,--of fanciful and Gothic
ornaments, though pleasing enough,--nine inches wide, and six inches
high, having at the top the arms, doubtless, of Cunio, the following
words are coarsely engraved on the same block, in bad Latin, or ancient
Gothic Italian with many abbreviations.
[Footnote I-38: _Cartouch._ “This word is used to denote those
fantastic ornaments which were formerly introduced in decorating
the wainscots of rooms; and frequently served the purpose of
frames, surrounding inscriptions, small paintings, or other
devices. These _cartouches_ were much in vogue in the sixteenth
and seventeenth centuries for the frontispieces of books of
prints; and indeed _Callot_ and _Della Bella_ etched many entire
sets of small subjects surrounded by similar ornaments. From the
irregularity of their forms, the terms tablet shield, or panel,
would be but ill expressive of their character.”--Ottley’s
Inquiry, vol. i. p. 12.]
“‘THE CHIVALROUS DEEDS, in figures, of the great and magnanimous
Macedonian king, the courageous and valiant Alexander, dedicated,
presented, and humbly offered to the most holy father, Pope Honorius IV.
the glory and stay of the Church, and to our illustrious and generous
father and mother, by us Alexander Alberic Cunio, knight, and Isabella
Cunio, twin brother and sister; first reduced, imagined, and attempted
to be executed in relief with a little knife, on blocks of wood, joined
and smoothed by this learned and beloved sister, continued and finished
together at Ravenna, after eight pictures of our designing, painted six
times the size here represented; cut, explained in verse, and thus
marked on paper to multiply the number, and to enable us to present them
as a token of friendship and affection to our relations and friends.
This was done and finished, the age of each being only sixteen years
complete.’”
Public-domain text, read in full here on John Shaqi.
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