The carriage stopped before a massive stone house. Two colossal figures
on the right and left of the door held lanterns adorned with intricate
iron scroll-work in the fashion of the last century. The lower windows
were grated with thick wrought-iron bars, and the heavy oaken door did
not lack the shining brass lion's head, with the ring in its mouth.
Above the door was a somewhat weather-beaten coat-of-arms, carved in
stone, overshadowed by a tiny balcony provided with manifold sculptured
ornaments and iron scrolls. _Heinrich_ pulled the bell. The door was
opened, and when he entered a statue placed in a niche in the staircase
extended its arms as if in welcome.
A pleasant subdued light fell upon the stone stairs through a tall
pointed window, and _Heinrich_, most agreeably impressed by this
old-fashioned but massive luxury, mounted the broad stone steps.
A precise, respectable servant was standing on the landing, and
silently ushered him into a little antechamber. Ottmar gave him his
card, and he went forward on tip-toe to announce him. For a few moments
_Heinrich_ had time to admire the few but costly articles of furniture,
rich carpet, and Chinese vases in the anteroom. His hopes began to
sink. The quiet, pedantic spirit which breathed from these carefully
preserved relics of a former century could not have trained the
original, modern, enthusiastic nature of the Prison Fairy.
At last a pair of richly-carved folding-doors were thrown open. The old
servant, with a low bow, silently motioned to him to approach, and
_Heinrich_ entered a large apartment, furnished in the ancient French
style, with silken curtains, and a polished, inlaid floor. The sofas
and chairs were of richly inlaid walnut, covered with faded but heavy
yellow damask. An old-fashioned screen, ornamented with an embroidered
coat-of-arms, stood before a huge stove adorned with Chinese designs.
On the clumsy carved tables lay magnificent velvet, covered albums,
faded and time-worn, as well as small new books of every description. A
gilt eagle extended its wings over an immense mirror, and a pair of
sphinxes supported a marble pier-table, bearing a clock. Family
portraits, centuries old, stared solemnly from the walls, and fresh
roses breathed their rich fragrance over this peaceful image of bygone
days.
Almost at the same moment Ottmar entered, the lady of the house,
Fräulein Veronica von Albin, advanced through a pair of folding-doors
directly opposite to him. She had a slight ethereal figure, whose
movements still retained the elasticity of youth, and a pair of
beautiful blue eyes sparkled in a wrinkled face, over which at least
seventy years had passed. Thin white curls were carefully arranged
around the kindly old forehead, and an old-fashioned but dazzlingly
white morning dress rustled softly around her. She advanced, or rather
floated, towards Ottmar, and held out both hands.
Public-domain text, read in full here on John Shaqi.
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