A Unique Story of a Marvellous Career: Life of Hon. Phineas T. BarnumBenton, Joel
History
A Unique Story of a Marvellous Career: Life of Hon. Phineas T. Barnum
Benton, Joel
Barnum's American Museum; Barnum, P. T. (Phineas Taylor), 1810-1891; Circus owners -- United States -- Biography
"Ladies and gentlemen: I will now give you an imitation of Mr.
Booth, the eminent tragedian."
His tongue was thick, his language somewhat incoherent, and
Barnum had great misgivings as he proceeded; but as no token of
disapprobation came from the audience, he began to hope he would
go through with his parts without exciting suspicion of his
condition. But before he had half finished his representation of
Booth, in the soliloquy in the opening act of Richard III, the
house discovered that he was very drunk, and began to hiss. This
only seemed to stimulate him to make an effort to appear sober,
which, as is usual in such cases, only made matters worse, and
the hissing increased. Barnum lost all patience, and, going on
the stage and taking the drunken fellow by the collar, apologized
to the audience, assuring them that he should not appear before
them again. Barnum was about to march him off, when he stepped to
the front, and said:
"Ladies and gentlemen: Mr. Booth has often appeared on the stage
in a state of inebriety, and I was simply giving you a truthful
representation of him on such occasions. I beg to be permitted to
proceed with my imitations."
The audience at once supposed it was all right, and cried out,
"go on, go on"; which he did, and at every imitation of Booth,
whether as Richard, Shylock, or Sir Giles Overreach, he received
a hearty round of applause. Barnum was quite delighted with his
success; but when he came to imitate Forrest and Hamblin,
necessarily representing them as drunk also, the audience could
be no longer deluded; the hissing was almost deafening, and
Barnum was forced to lead the actor off. It was his last
appearance on that stage.
Barnum always denied that the "Feejee Mermaid," which attained
such lasting notoriety, was an invention of his own. It was first
exhibited in London in 1822, where it was purchased by Mr. Moses
Kimball, of the Boston Museum, who sold it to Barnum. The
creature was really most ingeniously constructed, probably by
some Japanese. It drew like magic, and afterward served as a good
advertisement, sent throughout the country for exhibition, the
posters reading, "From Barnum's Great American Museum, New York."
Barnum believed in making his place of exhibition as attractive
as possible, and the building was decorated with flags and
banners, the posters were of the most sensational character, and
the first "Drummond Lights" ever seen in New York were placed on
top of the Museum, flooding the streets around with brilliance.
CHAPTER IX. INCREASED POPULARITY OF THE MUSEUM.
THE AMERICAN FLAG AND ST. PAUL'S--ST, PATRICK'S DAY--THE BABY
SHOW--GRAND BUFFALO HUNT--N. P. WILLIS--THE FIRST WILD-WEST SHOW.
The fame of the American Museum rose higher and higher. It is
doubtful if any place of entertainment ever attracted such
enthusiastic crowds. It was the first place visited by strangers
in the city.
Public-domain text, read in full here on John Shaqi.
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