A. W. Kinglake: A Biographical and Literary StudyTuckwell, William
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A. W. Kinglake: A Biographical and Literary Study
Tuckwell, William
Kinglake, Alexander William, 1809-1891
On his shyness waited swiftly ensuing boredom; if his neighbour at table
were garrulous or _banale_, his face at once betrayed conversational
prostration; a lady who often watched him used to say that his pulse
ought to be felt after the first course; and that if it showed languor he
should be moved to the side of some other partner. “He had great charm,”
writes to me another old friend, “in a quiet winning way, but was ‘dark’
with rough and noisy people.” So it came to pass that his manner was
threefold; icy and repellent with those who set his nerves on edge;
good-humoured, receptive, intermittently responsive in general and
congenial company; while, at ease with friends trusted and beloved, the
lines of the face became gracious, indulgent, affectionate, the _sourire
des yeux_ often inexpressibly winning and tender. “Kinglake,” says Eliot
Warburton in his unpublished diary, “talked to us to-day about his
travels; pessimistic and cynical to the rest of the world, he is always
gentle and kind to us.” To this dear friend he was ever faithful,
wearing to the day of his death an octagonal gold ring engraved “Eliot.
Jan: 1852.” He would never play the _raconteur_ in general company, for
he had a great horror of repeating himself, and, latterly, of being
looked upon as a bore by younger men; but he loved to pour out
reminiscences of the past to an audience of one or two at most: “Let an
old man gather his recollections and glance at them under the right
angle, and his life is full of pantomime transformation scenes.” The
chief characteristic of his wit was its unexpectedness; sometimes acrid,
sometimes humorous, his sayings came forth, like Topham Beauclerk’s in
Dr. Johnson’s day, like Talleyrand’s in our own, poignant without effort.
His calm, gentle voice, contrasted with his startling caustic utterance,
reminded people of Prosper Mérimée: terse epigram, felicitous _apropos_,
whimsical presentment of the topic under discussion, emitted in a low
tone, and without the slightest change of muscle:
“All the charm of all the Muses
Often flowering in a lonely word.” {130}
Questions he would suavely and often wittily parry or repel: to an
unhistorical lady asking if he remembered Madame Du Barry, he said, “my
memory is very imperfect as to the particulars of my life during the
reign of Lous XV. and the Regency; but I know a lady who has a teapot
which belonged, she says, to Madame Du Barry.” Madame Novikoff, however,
records his discomfiture at the query of a certain Lady E—, who, when all
London was ringing with his first Crimean volumes, asked him if he were
not an admirer of Louis Napoleon. “_Le pauvre Kinglake, décontenancé_,
_repondit tout bas intimidé comme un enfant qu’on met dates le coin_:
_Oui—non—pas précisément_.”
Public-domain text, read in full here on John Shaqi.
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