Throwing over his shoulders the cape of his army overcoat, Major Abbot hastens from his room in the direction of the little gallery or veranda at the side of the house. Evening is just approaching, and the lights are beginning to twinkle on the broad avenue below. He has not yet had time to determine upon his course of conduct. If, as he begins to suspect, it is Bessie Warren who received all those guileful letters, his will be a most difficult part to play. He longs to speak with her as well as to see her, but at this moment he knows not what may be expected of him, and, rather than have to inflict mortification or pain upon so sweet a girl, he is almost ready to wish that it had been his privilege to write to her. The fact that her father was so overcome at his denial, the fact that she fainted at sight of him, the fact that her first words on reviving were to the effect that her father had told her Paul Abbot was dead--all seemed to point to the conclusion that she had received love-letters, and that she had become deeply interested in her unseen correspondent. It would be no difficult matter to act the lover, and endorse anything these letters might have said to such a girl, thinks Abbot, as he hastens along the carpeted corridor, but then there is his letter to Viva; there is the fact that he has virtually declined to release her. It is this thought that suddenly "gives him pause," and, at the very moment that he comes to the doorway leading to the veranda, causes him to stop short and reflect. There is a little sitting-room opening off this hallway. One or two couples are chatting and gossiping therein, but Abbot steps past them to the window and gazes out. As he expected, there is a view of one end of the veranda, and there she stands, looking far out into the gathering night. A sweeter, lovelier face one seldom sees; so delicate and refined in every feature, so gentle and trusting in its expression. Her deep mourning seems only to enhance her fragile beauty, and to render more observable the grace of her slender form. She leans against the iron trellis-work, and one slim white hand sweeps back the sunny hair that is playing about her temple. Her thoughts are not so very far away. He is standing in the shadow of a curtained niche in a room whose light comes mainly from the flickering coal-fire in the grate, for the October evening is chill. She stands where the light from the big lamps at the corner is sufficient to plainly show her every look and gesture. Abbot marks that twice or thrice, as footsteps are heard in the hall, she glances quickly towards the doorway; then that a shade of disappointment gathers on her brow as no one comes. Then, once or twice, timidly and furtively, she casts shy, quick glances aloft and towards the front of the building. It requires little calculation to tell Major Abbot that those glances are towards the window of his room. Then can it be that she is there, waiting him, impatient of his coming?