United States -- History -- Civil War, 1861-1865 -- Fiction
"The doctor tells us we must not stay, Miss Bessie," he continues, "but
I could not go without a word. I am ordered to Boston by first train in
the morning, but shall see you--may I not--in New York?"
Brave as she is, it comes too suddenly--this news that she must part
with her knight just as he has done her such loyal service, and before
she has even thanked him by look or word. All the radiance, all the
bright color fades in an instant, and Paul Abbot cannot but see it and
divine, in part at least, the reason. He has in his pocket letters from
her own fair hand, that he knows were written for him, and yet that he
has no right to see. He reads in her lovely eyes a trust in him, a pain
at this sudden parting, that he thrills in realizing, yet should steel
his heart against or be no loyal man. But he cannot go without a word
from her, and it is a moment before she can speak:
"Is--is it not very sudden? I shall never thank you enough for what you
have done for father--for _us,_ this evening. What would we have done
without you?"
"That is nothing. There is no time now--but next week--New York--I may
see you there, may I not?"
May he not? What man can look in her eyes and ask less? He holds her
hand in close pressure one instant and hastens from the room.
* * * * *
Forty-eight hours later he is in the presence of the woman who had
promised to be his wife. The evening has seemed somewhat long. She was
out when he called at an earlier hour, but was to be found at a
dinner-party in the neighborhood. Major Abbot feels indisposed to meet
her in presence of "society," and leaves word that he will return at ten
o'clock. He finds her still absent and has to wait. Mr. Winthrop is at
his club; Mrs. Winthrop has begged to be excused--she had retired early
with a severe headache. She does not want to see me, thinks Abbot, and
that looks as though Viva were obdurate. It is a matter that has served
to lose its potency for ill, and the major is angered at himself because
of a thrill of hope; because of the thought of another face that _will_
intrude. It is nearly eleven o'clock when he hears the rumble of
carriage wheels at the door. He steps to the front window and looks out
upon the pavement. Yes, there is the old family carriage drawn up in
front in the full glare of the gas lamp. The footman is opening its door
and Viva Winthrop steps quickly forth, glances up and down the street as
though expectant of some one's coming, and turns quickly to speak to
some one in the carriage. Abbot recognizes the face at the open window
as that of an old family friend nodding good-night. The footman still
stands, but Viva speaks to him; he touches his hat respectfully, but in
some surprise, and then springs to his perch; the two ladies nod and
exchange cordial good-nights again, and away goes the carriage, leaving
Miss Winthrop standing on the sidewalk, where she is still searchingly
looking up and down and across the street.
Public-domain text, read in full here on John Shaqi.
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