American fiction -- 19th century; Love stories; Man-woman relationships -- Fiction; San Francisco (Calif.) -- Fiction
After an early dinner, Paul found his way to the little theatre. He had
already been struck by a highly colored poster near the Bahnhof,
purporting that a distinguished German company would give a
representation of "Uncle Tom's Cabin," and certain peculiarities in the
pictorial advertisement of the tableaux gave promise of some
entertainment. He found the theatre fairly full; there was the usual
contingent of abonnirte officers, a fair sprinkling of English and
German travelers, but apparently none of his own countrymen. He had no
time to examine the house more closely, for the play, commencing with
simple punctuality, not only far exceeded the promise of the posters,
but of any previous performance of the play he had witnessed.
Transported at once to a gorgeous tropical region--the slave States of
America--resplendent with the fruits and palms of Mauritius, and
peopled exclusively with Paul and Virginia's companions in striped
cotton, Hathaway managed to keep a composed face, until the arrival of
the good Southern planter St. Clair as one of the earlier portraits of
Goethe, in top boots, light kerseymere breeches, redingote and loose
Byron collar, compelled him to shrink into the upper corner of the box
with his handkerchief to his face. Luckily, the action passed as the
natural effect upon a highly sympathetic nature of religious interviews
between a round-faced flaxen-haired "Kleine Eva" and "Onkeel Tome,"
occasionally assisted by a Dissenting clergyman in Geneva bands; of
excessive brutality with a cattle whip by a Zamiel-like Legree; of the
sufferings of a runaway negro Zimmermadchen with a child three shades
lighter than herself; and of a painted canvas "man-hunt," where
apparently four well known German composers on horseback, with flowing
hair, top boots, and a Cor de chasse, were pursuing, with the aid of a
pack of fox hounds, "the much too deeply abused and yet spiritually
elevated Onkeel Tome." Paul did not wait for the final apotheosis of
"der Kleine Eva," but, in the silence of a hushed audience, made his
way into the corridor and down the staircase. He was passing an open
door marked "Direction," when his attention was sharply attracted by a
small gathering around it and the sounds of indignant declamation. It
was the voice of a countryman--more than that, it was a familiar voice,
that he had not heard for three years--the voice of Colonel Harry
Pendleton!
Public-domain text, read in full here on John Shaqi.
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