A morning in May is best of all the year to be afield with the birds;
but to watch for the wild four-footed things, a moonlight night in
October is the choice of the seasons. May-time is bird-time. That is
their spring of mate-winning and nest-building, and it bubbles over
with life and song. The birds are ardent lovers; they sometimes fight
in their wooing: but fighting or singing, they are frank, happy
creatures, and always willing to see you. The mammals are just as
ardent lovers as the birds, and infinitely more serious. But they are
not poets; they are not in the show business; and they want no
outsider to come and listen to their pretty story of woe. Their
spring, their courting-time, is not a time of song and play. The
love-affairs of a timid, soulful-eyed rabbit are so charged and
intense as not always to be free from tragedy. Don't expect any
attention in the spring, even from that bunch of consuming curiosity,
the red squirrel; he has something in hand, for once, more to his mind
than quizzing you. Life with the animals then, and through the summer,
has too much of love and fight and fury, is too terribly earnest, to
admit of any frolic.
But autumn brings release from most of these struggles. There is
surcease of love; there is abundance of food; and now the only
passions of the furry breasts are such gentle desires as abide with
the curious and the lovers of peace and plenty. The animals are now
engrossed with the task of growing fat and furry. Troubled with no
higher ambitions, curiosity, sociability, and a thirst for adventure
begin to work within them these long autumn nights, and not one of
them, however wild and fearful, can resist his bent to prowl in the
light of the October moon.
To know much of the wild animals at home one must live near their
haunts, with eyes and ears open, forever on the watch. For you must
wait their pleasure. You cannot entreat them for the sake of science,
nor force them in the name of the law. You cannot set up your easel in
the meadow, and hire a mink or muskrat to pose for you any time you
wish; neither can you call, when you like, at the hollow gum in the
swamp and interview a coon. The animals flatly refuse to sit for their
pictures, and to see reporters and assessors. But carry your
sketch-book and pad with you, and, after a while, in the most unlikely
times and places, the wariest will give you sittings for a finished
picture, and the most reticent will tell you nearly all that he knows.
Public-domain text, read in full here on John Shaqi.
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