A Widow's Tale, and Other StoriesOliphant, Mrs. (Margaret)
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A Widow's Tale, and Other Stories
Oliphant, Mrs. (Margaret)
Fiction; Short stories
And thus it came about that the poor little Brunton children were a
great deal at Bampton-Leigh, where there was no discipline at all, and
which seemed to them the most delightful place in the world. They called
Julia aunt, _en attendant_ the arrival of Harcourt children who would
have a right to address her by that title, and made up to her in such a
surprising way for the absence of May that their visits were the
happiest portions of her life. Julia was seated with them in the
drawing-room on an evening in October about two years after these
events, telling them stories, Maysey's little figure buried in her lap
(for the good Julia began to grow stout), and Jack leaning closely
against her knee. It was growing dark, but the fire was bright and
filled the room with ruddy gleams and fantastic shadows and reflections.
She had come to a very touching point in the story, and Maysey had flung
her arms round aunt Julia's neck in the thrill of the approaching
catastrophe which the children both knew by heart, yet heard over and
over again with undiminished delight and horror. They all heard the
door open, but paid no attention, supposing it was the tea; and Julia
had told the tale all out, and the nervous clasp of the child's arms had
loosened, when, looking up, Miss Bampton saw--not in actual reality, but
in the great mirror over the mantelpiece--a shadowy figure standing over
them, a woman in a travelling cloak, with a great veil like a cloud
hanging over her face. Julia gave a shriek that rang through the house,
and the veiled figure dropped down upon the hearthrug on its knees, and
encircled the whole group with eager arms. "O Nelly, Nelly, Nelly!"
Julia cried, thinking at first that it was a ghost.
When the lights came it was visible that both things were true--that it
was Nelly, and that she was little more than the ghost of herself. It
was some time before the frightened children--who had forgotten her, and
who were terrified by her paleness, and her cloak and her veil, and her
sudden arrival--would acknowledge their mother. Oh, how different from
the Nelly who had arrived there on that summer afternoon, and stopped
the singing at the piano, and diverted (as Julia in the profoundest
depths of her heart was aware) from May's path an evil fate. She bore
all the traces of that evil fate upon her own worn countenance. She was
very pale, worn, and thin: she was not like herself. But when she had
rested from her journey, and recovered the confidence of her children,
then the old house of her kindred became aware of another Nelly, who was
not like the first, yet was a more distinct and remarkable personage
than Nelly Brunton. She was dressed in all the elegance of the fashion,
and she had an air which the country lady did not understand. Was it
natural stateliness and nobility? Or was it only the tragedy of her
unknown fate?
Public-domain text, read in full here on John Shaqi.
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