Scene after scene I went through happy and
oblivious. I had been at it half an hour perhaps, moving forward with
the natural impetus of the play, in the faint old wagon tracks, and had
got as far as
--Flowers that affrighted she let fall
From Dis's wagon!--
when I was startled by the clapping of hands, and looked up to see a
young man sitting on the top of a rail fence that ran straight across
the way, as though he might have stopped there to rest in the act of
climbing over.
"I knew you would see me the next minute," he said, "and I wanted to be
discovered in the act of appreciation." He sprang down from the fence
and came toward me, taking off his hat. "I suppose you are from the
picnic; I expected to find you somewhere about. I am Helmeth Garrett."
"They're at the spring--we waited lunch for you. I am Miss Lattimore;
Olivia May," I supplemented. I was a little doubtful about that point,
for at Taylorville we called one another by our first names. I was
pleased with the swiftness with which he struck upon a permissible
compromise.
"I owe you all sorts of apologies, Miss Olivia, but the mare I was to
ride went lame and uncle couldn't spare me another, so I had an early
lunch at the house and walked over." As he stood looking down at me I
saw that he had a crop of unruly dark hair and what there was in his
face that Pauline had found interesting. He wore a soft red tie,
knotted loosely at the collar of a white flannel shirt, and for the rest
of him was dressed very much as other young men. All at once a spark of
irrepressible friendliness flashed up in smiles between us.
It seemed the merest chance then that I had come across the wood to meet
him. In the light of what has happened since, I see that the guardian of
my submerged self was doing what it could for me; but against the
embattled social forces of Taylorville what could even the gods do!
"If you will take me to the others," he suggested, "I can make my
excuses, and then we can talk." It was remarkable, I thought, that he
should have discovered so early that we would wish to talk. We began to
move in the direction of the lake.
"Were you doing a play?" he asked. I nodded.
"How long were you watching me?"
"Since you passed the plum brush yonder; it was bully! Are you going on
the stage?" I explained about Professor Winter and the elocution
lessons.
"They don't approve of the stage in Taylorville," I finished, touched by
the vanishing trace of a realization that up to this moment the
objection would have been stated personally.
"And with all your talent! Oh, I know what I'm saying. I lived in
Chicago four years and saw a lot of the theatre."
Public-domain text, read in full here on John Shaqi.
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