A Woman's Experiences in the Great WarMack, Louise
History
A Woman's Experiences in the Great War
Mack, Louise
World War, 1914-1918 -- Personal narratives
Mr. Cherry Kearton, Mr. Cleary, and Mr. Marshall, decided on the Queen's
Hotel, somewhere near the quay. Their point was that it would be easier
to get away from there. Mr. Robinson and Mr. Phillips refused to change
from the Terminus. Mr. Fox, Mr. Lucien Arthur Jones, and myself chose
the Wagner, as being in the most northerly direction, the farthest away
from the forts, and the nearest to the Breda Gate, which led to Holland.
In the moonlight, after dinner, taking my canary with me, I moved to my
new quarters, accompanied to the doors by that little band of
Englishmen, Cherry Kearton carrying my parrot. It was then ten o'clock.
Strange things were to happen before we met again.
Precisely at eleven the first shell fell. Whiz! It fled in a fury across
the sky and burst somewhere in the direction of the Cathedral. As it
exploded I shut my eyes, clenched my hands, and sank on the floor by my
bedside, saying to myself, "God, I'm dead!"
And I thought I was too.
The enormity of that sound-sensation seemed to belong to a transition
from this world to the next. It scarcely seemed possible to pass through
that noise and come out alive.
That was the first shell, and others followed quickly. The Hotel was
alive immediately. Sleep was impossible. I crept down into the
vestibule. It was all dark, save for one little light at the porter's
door! I got a chair, drew it close to the light and sat down. I had a
note-book and pencil, and to calm and control myself and not let my
brain run riot I made notes of exactly what people said. I sat there all
night long!
Every now and then the doors would burst open and men and women would
rush in.
Once it was two slim, elegant ladies in black, with white fox stoles,
who had run from their house because a shell had set fire to the house
next door.
They came into the pitch-black vestibule, moving about by the little
point of light made by their tiny electric torch. They asked for a
room. There was none. So they asked to sit in the dark, empty
restaurant, and as I saw them disappear into that black room where many
refugees were already gathered, sleeping on chairs and floors and tables
I could not help being amazed at the strangeness of it all, the
unlikeness of it all to life,--these two gently-nurtured sisters with
their gentle manners, their white furs, their electric light, gliding
noiselessly along the burning, beshelled streets, and asking for a room
in the first hotel they came to without a word about terror, and with
expressions on their faces that utterly belied the looks of fright and
terror that the stage has almost convinced us are the real thing.
Swing goes the door and in comes a man who asks the porter a question.
"Is Monsieur L. here?"
"Oui, Monsieur," replies the porter.
"Where is he?"
"He is in bed."
Public-domain text, read in full here on John Shaqi.
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