Aaron the Jew: A NovelFarjeon, B. L. (Benjamin Leopold)
General
Aaron the Jew: A Novel
Farjeon, B. L. (Benjamin Leopold)
Adopted children -- Fiction; Jews -- England -- Fiction
It was something more than a blessing; it was a prayer of heartfelt
love. Rachel raised her face to his, and they tenderly kissed each
other. Then he took his seat on one side of the fire, and she on the
other. A prayer-book and one of Charles Dickens's stories were on the
table, but he did not open them; he had matter for thought, and he was
in the mood for conversation. He was in a light humour, which
exhibited itself in a quiet laugh, which presently deepened in volume.
"I am thinking of the little girl," he explained to Rachel. "It
was amazing the way she puffed out the candles and poked out the
fire--quick as lightning. It was the most comical thing! And her black
face--and Victoria Regina's sticky fingers! Ha, ha, ha!"
His merriment was contagious, and it drew forth Rachel's; the room was
filled with pleasant sound.
"I saw Mr. Whimpole to-day," said Aaron, "and I made him a bow, which
he did not return. My Jewish nose offends him. How unfortunate! Yes,
my life, no one can dispute that the Jew has a big nose. It proclaims
itself; it is a mark and a sign. He himself often despises it; he
himself often looks at it in the glass with aversion. 'Why, why,
have I been compelled to endure this affliction?' he murmurs,
and he reflects with envy upon the elegant nose of the Christian.
Short-sighted mortal, not to understand that he owes everything to his
big nose! A great writer--a learned man, who passed the whole of his
life in the study of these matters--proclaims the nose to be the
foundation, or abutment, of the brain. What follows? That the larger
is the nose of a man, the better off for it is the man. Listen, my
dear." He took a book from a little nest of bookshelves, and turned
over the pages. "'Whoever,' says this learned writer, 'is acquainted
with the Gothic arch will perfectly understand what I mean by this
abutment; for upon this the whole power of the arch of the forehead
rests, and without it the mouth and cheeks would be oppressed by
miserable ruins.' He lays down exact laws, which govern the beautiful
(and therefore the large) nose. Its length should equal the length of
the forehead, the back should be broad, its outline remarkably
definite, the sides well defined, and, near the eye, it must be at
least half an inch in breadth. Such a nose, this great authority
declares, is of more worth than a kingdom. It imparts solidity and
unity to the whole countenance; it is the mountain--bear in mind, my
dear, the mountain--that shelters the fair vales beneath. How proud,
then, should I be of my nose, which in some respects answers to this
description! Not in all, no, not in all. I am not so vain as to
believe that my nose is worth more than a kingdom; but when I am told
that a large nose is a sign of sensibility, and of good nature and
good humour, I cannot help a glow of conceited satisfaction stealing
over me. How many great men have you known with small noses? There
are, of course, exceptions, but I speak of the general rule. Our
Public-domain text, read in full here on John Shaqi.
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