There was another artist with a studio across the bridges, and his love
of art cost him much money and some severe trials. His suite of rooms
was all in blue, gray, white, and black. He said that if you looked at
things in the world properly, you would see that they were all gray,
blue, or black. He had painted a gray lady in a gray dress, with a blue
parrot on her shoulder. She had brown lips and grayish teeth. He was
very much disappointed in me when I told him that lips always looked
to me either pink or red. He explained by saying that my eyes were not
trained properly. I resented this, and told him that my eyes were as
good as his own, and that a recruiting officer had once tested them
with colored yarns and letters of the alphabet held up in inaccessible
corners, and had given me a higher mark for eyesight than for anything
else. He said it was not a question of colored yarns; and that while
I might satisfy a recruiting sergeant that I could distinguish an
ammunition train from a travelling circus, it did not render me a
critic on art matters. He pointed out that the eyes of the women in the
Caucasus who make rugs are trained to distinguish a hundred and eighty
different shades of colors that other eyes cannot see; and in time, he
added, I would see that everything in real life looked flat and gray.
I took a red carnation out of my coat, and put it over the gray lady's
lips, and asked him whether he would call it gray or red, and he said
that was no argument.
He suffered a great deal in his efforts to live up to his ideas, but
assured me that he was much happier than I in my ignorance of what
was beautiful. He explained, for instance, that he would like to put
up some of the photographs of his family that he had brought with him
around his room, but that he could not do it, because photographs were
so undecorative. So he kept them in his trunk. He also kept a green
cage full of doves because they were gray and white and decorative,
and in spite of the fact that they were a nuisance, and always flying
away, and being caught again by small boys, who brought them back, and
wanted a franc for so doing. He suffered, too, in his inability to
find the shade of blue for his chair covers that would harmonize with
the rest of his room. He covered the furniture five times, and never
successfully, and hence the cushions of his lounge and stiff chairs
were still as white as when they had last gone to the upholsterer's.
Public-domain text, read in full here on John Shaqi.
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