As to Bidel, every one recollects that in July, 1886, at the fair de
Neuilly, a lion mangled all one side of his neck.
Two of my friends were amongst the spectators of this duel—the
painter, Edouard Detaille, and my dear comrade Paul Hervieu.
When Detaille reached home, on the same evening, he made a rapid
sketch of the conflict between the man and the lion whilst the
impression was still fresh in his memory. He has kindly authorized
me to reproduce it here. The effect is of a cat playing with a bird.
Bidel’s coat was torn into fine shreds by the scratching of the claws
from the collar to the waist, showing the flesh underneath. On his
side, Paul Hervieu was good enough to send me the valuable notes
which you are about to read. He addressed them to me in the form of a
letter, which has been published in the _Monde Illustre_.
“The accident took place on one evening in July, 1886, at the
Neuilly fair. The weather was heavy and stormy, and the lion-tamer
had one foot bandaged for gout.
[Illustration: HYPNOTISM IN A WILD BEASTS’ CAGE.] [p153]
“However, the performance was nearly over, and it seemed as though
everything would soon be safely ended, in spite of the unusually
refractory voice and attitudes of Sultan, a fine dark-maned lion
(for the lionesses, although I believe they are all _blonde_ like
Eve, can choose between dark-or light-coloured manes amongst their
large-headed lords).
“Suddenly Bidel fell, having caught himself in his blunt two-pronged
iron spear, and in some way tripped over it. Every one present
uttered a brief cry. Then, a deadly silence fell upon the huge
tent—a silence so intense that the hissing of the gas-lights could
be heard.
“I shall never forget the man’s face at the moment he lost his
balance. I still see his starting eyes, the white balls vividly
contrasting with his features, congested by gout and by his previous
efforts. It was the expression of one who feels that he is lost, who
is sinking into an abyss. Now the tamer was lying upon the floor of
the cage like an inert mass, without a gesture or a cry for help.
He never attempted to raise himself, probably through some tactic
dictated by his experience, but apparently he had the time to do it
in, for the lion still remained crouched a few yards away.
[Illustration]
“Perhaps, my dear Le Roux, you have some wish that I should define
the nature of the emotion which seizes an eye-witness under these
circumstances? This emotion is certainly multiform. Thus, for my
own part, you may feel sure that I was distressed, horrified—that I
regretted being present on that fatal evening. . . . On the other
hand, if you do not object, I will tell you that I was accompanied
by a friend, a kind of inseparable, who is very curious about rare
sensations.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account