Across the Plains, with Other Memories and EssaysStevenson, Robert Louis
General
Across the Plains, with Other Memories and Essays
Stevenson, Robert Louis
Essays; Monterey (Calif.) -- Description and travel; West (U.S.) -- Description and travel
This purely artistic society is excellent for the young artist. The lads
are mostly fools; they hold the latest orthodoxy in its crudeness; they
are at that stage of education, for the most part, when a man is too much
occupied with style to be aware of the necessity for any matter; and
this, above all for the Englishman, is excellent. To work grossly at the
trade, to forget sentiment, to think of his material and nothing else,
is, for awhile at least, the king’s highway of progress. Here, in
England, too many painters and writers dwell dispersed, unshielded, among
the intelligent bourgeois. These, when they are not merely indifferent,
prate to him about the lofty aims and moral influence of art. And this
is the lad’s ruin. For art is, first of all and last of all, a trade.
The love of words and not a desire to publish new discoveries, the love
of form and not a novel reading of historical events, mark the vocation
of the writer and the painter. The arabesque, properly speaking, and
even in literature, is the first fancy of the artist; he first plays with
his material as a child plays with a kaleidoscope; and he is already in a
second stage when he begins to use his pretty counters for the end of
representation. In that, he must pause long and toil faithfully; that is
his apprenticeship; and it is only the few who will really grow beyond
it, and go forward, fully equipped, to do the business of real art—to
give life to abstractions and significance and charm to facts. In the
meanwhile, let him dwell much among his fellow-craftsmen. They alone can
take a serious interest in the childish tasks and pitiful successes of
these years. They alone can behold with equanimity this fingering of the
dumb keyboard, this polishing of empty sentences, this dull and literal
painting of dull and insignificant subjects. Outsiders will spur him on.
They will say, “Why do you not write a great book? paint a great
picture?” If his guardian angel fail him, they may even persuade him to
the attempt, and, ten to one, his hand is coarsened and his style
falsified for life.
Public-domain text, read in full here on John Shaqi.
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