Economists -- Great Britain -- Biography; Smith, Adam, 1723-1790
One of the first of our writers to study, perhaps the first to weigh and
measure the importance of the _Encyclopædia_, was Adam Smith. He seems
to have read it from the outset. In his letter to the _Edinburgh Review_
he called it the most complete work of the kind ever attempted in any
language. He there noticed that D’Alembert’s preliminary discourse upon
the genealogy and filiation of arts and sciences was nearly the same as
that of Lord Bacon, that the separate articles were not dry abstracts of
what is commonly known by a superficial student, but “a compleat,
reasoned, and even critical examination of each subject.” Its pages bore
testimony to the triumphant progress of English philosophy and science
in France. The ideas of Bacon, Boyle, and Newton were explained with
that order, perspicuity, and judgment which distinguished all the
eminent writers of France. “As since the Union we are apt to regard
ourselves in some measure as the countrymen of those great men, it
flattered my vanity as a Briton to observe the superiority of the
English philosophy thus acknowledged by their rival nation.” It seems,
Smith added, “to be the peculiar talent of the French nation to arrange
every subject in that natural and simple order which carries the
attention without any effort along with it.”
Smith was himself by nature and habit an Encyclopædist, not inferior
even to Diderot in his grasp of the whole field of science. Wanting the
laborious industry of the compiler, he was the equal perhaps of his
French contemporaries in the power of correlating knowledge and
combining truth. But he yielded to none in admiration of the
_Encyclopædia_, and commended it to English readers by translating the
magnificent eulogy bestowed on it by Voltaire in the conclusion of his
account of the artists who lived in the time of Louis the Fourteenth:—
“The last age has put the present in a condition to assemble into one
body and to transmit to posterity, to be by them delivered down to
remoter ages, the sacred repository of all the arts and all the
sciences, all of them pushed as far as human industry can go. This is
what a society of learned men, fraught with genius and knowledge, are
now labouring upon, an immense and immortal work which accuses the
shortness of human life.”
Public-domain text, read in full here on John Shaqi.
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