Addison, Joseph, 1672-1719; Authors, English -- 18th century -- Biography
For these, and other men of leisure, a kind of paper differing from the
_Tatler_, which proposed only to retail the various species of gossip in
the coffee-houses, was required, and the new entertainment was provided by
the original design of an imaginary club, consisting of several ideal
types of character grouped round the central figure of the Spectator. They
represent considerable classes or sections of the community, and are, as a
rule, men of strongly marked opinions, prejudices, and foibles, which
furnish inexhaustible matter of comment to the Spectator himself, who
delivers the judgments of reason and common-sense. Sir Roger de Coverley,
with his simplicity, his high sense of honour, and his old-world
reminiscences, reflects the country gentleman of the best kind; Sir Andrew
Freeport expresses the opinions of the enterprising, hard-headed, and
rather hard-hearted moneyed interest; Captain Sentry speaks for the army;
the Templar for the world of taste and learning; the clergyman for
theology and philosophy; while Will Honeycomb, the elderly man of fashion,
gives the Spectator many opportunities for criticizing the traditions of
morality and breeding surviving from the days of the Restoration. Thus,
instead of the division of places which determined the arrangement of the
_Tatler_, the different subjects treated in the _Spectator_ are
distributed among a variety of persons: the Templar is substituted for the
Grecian Coffee-House and Will's; Will Honeycomb takes the place of
White's; and Captain Sentry, whose appearances are rare, stands for the
more voluminous article on foreign intelligence published in the old
periodical, under the head of St. James's. The Spectator himself finds a
natural prototype in Isaac Bickerstaff, but his character is drawn with a
far greater finish and delicacy, and is much more essential to the design
of the paper which he conducts, than was that of the old astrologer.
The aim of the Spectator was to establish a rational standard of conduct
in morals, manners, art, and literature.
Public-domain text, read in full here on John Shaqi.
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