Adventures in the Arts: Informal Chapters on Painters, Vaudeville, and PoetsHartley, Marsden
History
Adventures in the Arts: Informal Chapters on Painters, Vaudeville, and Poets
Hartley, Marsden
Art; Literature, Modern -- History and criticism; Vaudeville
He had learned early that he was not, and never would be, the
fantasist that some of his earlier canvases indicate. Even his essays
in portraiture, verging on the realistic, leaned nevertheless more
toward the imaginative reality always. He knew, also, with clarity,
the fine line of decision between imagination and vision, between the
dramatic and the lyric, and had realized completely the supremacy of
the lyric in himself. He was a young boy of light walking on a man's
strong feet upon real earth over which there was no shadow for him. He
walked straightforwardly toward the elysium of his own very personal
organized fancies. His irrigation ditches were "young rivers" for him,
rivers of being, across which white youths upon white horses, and
white fawns were gliding to the measure of their own delights. He had,
this young boy of light, the perfect measure of poetic accuracy
coupled with a man's fine simplicity in him. He had the priceless calm
for the understanding of his own poetic ecstasies. They acted upon him
gently with their own bright pressure. He let them thrive according to
their own relationships to himself. Nothing was forced in the mind and
soul of Rex Slinkard. He was in quest of the modern rapture for
permanent things such as is to be found in "L'apres midi d'un Faun" of
Mallarme and Debussy for instance, in quest of those rare, whiter
proportions of experience. It was radiance and simplicity immingled in
his sense of things.
He would have served his country well as one of its clearest and best
citizens, far more impressively by the growth and expansion of his
soul in his own manly vision, than by the questionable value of his
labors in the military service. He did what he could, gladly and
heroically, but he had become too weakened by the siege of physical
reverses that pursued his otherwise strong body to endure the strain
of labor he performed, or wanted to accomplish. He knew long before he
entered service the significance of discipline from very profound
experience with life from childhood onward. Life had come to him
voluminously because he was one who attracted life to him,
electrically. He did not "whine" or "postpone," for he was in all of
his hours at least mentally and spiritually equal to the world in all
of its aspects. He was physically not there for the thing he
volunteered to do, despite the appearance of manly strength in him, or
thought he would be able to do. He hoped strongly to serve. None knew
his secret so well as himself, and he kept his own secret royally and
amicably.
Public-domain text, read in full here on John Shaqi.
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