"On March 1 the only cut flowers in my drawing-room were in two blue china jars on the mantelpiece; the flowers were large single daffodils. On the ledge of the window ... were three pots of growing yellow tulips--the only flowers near any window. The day was dull in the morning, but about twelve the sun came out and it was warm; it rained heavily in the afternoon." There was no "cross-correspondence" in the writings of the two scripts for this or the next two weeks--the experimenters wrote only once a week--but in the scripts of the week following Miss Johnson found a curious coincidence--the presence of notes of music. Only once before or since, she testifies, have notes of music appeared in the script of either Mrs. Verrall or Mrs. Holland. In Mrs. Holland's script of that same date, March 22, there was also a reference to "the ivory gate through which all good dreams come." Mrs. Verrall, it was learned, on March 19 or 20, had been reading Virgil's passage in the "Æneid" about the gates of horn and ivory. She had been reading Dante, too, in the original Italian, the first time she had read anything in Italian for months; and, oddly enough, Mrs. Holland's script for March 22 contained a sentence in Italian. Later scripts were characterized by even more striking correspondences, and--which is not without interest--on more than one occasion the "controls" issued warnings against placing faith in Eusapia Paladino. For instance, on December 1, 1905, the Myers control wrote through Mrs. Holland: "There may be raps genuine enough of their kind--I concede the raps--poltergeist merely--but the luminous appearances--the sounds of a semi-musical nature--the flower falling upon the table--trickery--trickery." And the Gurney control added: "Her feet are very important--Next time can't Miss J. sit with the sapient feet both touching hers--Let her fix her thoughts on the feet and prevent the least movement of them." As American investigators have since discovered, Eusapia's feet are indeed important.