The observer just lifted his eyes from watching the "late lamented"
and trying to decide whether he was "outed" or "playing dead," in time
to catch a glimpse of a black cross streaking past astern of him. He
glued his eyes to the sights, jerked his muzzle round after the fresh
enemy, and just as he swung in a steep bank "slapped a hatful of lead
into him" and saw a strip of the hostile's cowling rip and lift and
beat flailing back against the struts until the enemy shut off engine
and glided out.
The pilot's gun was clattering again, and the observer, seeing all
clear behind him, turned and half jumped, half fell, down into his
cockpit as the Fo-Fum lay over on her beam-ends in a bank that brought
her almost sheer on her wing-tip. He was just in time to see the
pilot's fresh victim fall out of control, and dropping the bow gun he
had grabbed he hoisted himself to his top gun again.
It sounds a little thing when one speaks of all this jumping down and
scrambling up from one gun to another, but it is worth pausing to
consider just what it means. The place the observer had to jump from
at his top gun was about as scanty and precarious as a canary bird's
perch; the space he had to jump or fall down into was little bigger
than a respectable hip-bath; the floor and footholds on which he did
these gymnastics were heaving, pitching, and tossing, tilting to and
fro at anything between level, a slope as steep as a sharp-angled roof,
and steeper still to near the perpendicular.
And all the time the machine which carried out the acrobatic
performance was travelling at the speed of a record-breaking express
train, and if the performer mis-jumped or over-reached the enclosing
sides of his cockpit, sides little more than knee-high as he stood on
the floor, not ankle-high as he stood at the top gun, he had a clear
eight to ten thousand feet, a good mile and quarter, to fall before
he hit the ground. And this particular Fo-Fum stood on her head or
her tail, on one wing-tip or the other, dived and dodged, twisted and
turned and wriggled and fought her way through, over, under, and about
her eleven opponents, putting four well down and a fifth damaged in the
process, and picked up her place in the shifting, breaking, and ragged,
but always reforming, circle.
The fight flared on for full forty minutes, and still at the end of
that time the Fo-Fums were all afloat and able to make home and a good
landing, although some were so shot about and damaged that it was
only by a marvel of piloting skill they were kept going--and, let it
be added, as their crews never failed to add, because they were stout
buses well and honestly built of good material by skilled and careful
hands, driven by engines that were a credit to the shops they came from
and would "keep running as strong as a railway locomotive, into Hell
and out the other side, s'long's you fed oil and petrol to 'em."
Public-domain text, read in full here on John Shaqi.
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