"W'l, she was allus apt to take her head with her," said Bill, "but this travelin' has fixed her like a hoss thet's ben druv in Chicago: nothin' feazes her, street-cars, brass bands, circuses, overhead trains--it's all the same to her, she's seen 'em all. Sometimes I git the notion that she'd enjoy things more if she hadn't seen so dum many of 'em an' so much better ones, y' know! Wal, after she'd ben over there a long time, she wrote she was a-comin' home; an' we was tickled to death. Only I was surprised by her writin' that she wanted us to take all them old picters of hern, and put 'em out of sight! An' if you'll b'lieve it, she won't talk picters nor make any sence she got back--only, jest after she got back, she said she didn't see any use o' her goin' on dobbin' good canvas up with good paint, an' makin' nothin' but poor picters; an' she cried some.... I thought it was sing'lar that this art business that she thought was the only thing thet'd ever make her happy was the only thing I ever see her cry about." "It's the way," said I, "with a great many of our cherished hopes." "W'l, anyhow, you can see thet it's the wrong thing to put as much time an' money into fixin' a child up f'r a different kind o' life as we hev, an' then keep her on a farm out here. An' thet's why I want you to help this sale through, an' bring influence to bear on her. I give up; I'm all in." To me Bill seemed entirely in the right. The new era made it absurd for the Trescotts to use their land longer as a farm. Lattimore was changing daily. The streets were gashed with trenches for gas- and water-mains; piled-up materials for curbing, paving, office buildings, new hotels, and all sorts of erections made locomotion a peril; but we were happy. The water company was organized in our office, the gas and electric-light company in Cornish's; but every spout led into the same bin.