They have reached the villa, and turned out of the dusty highway into a
great cool courtyard, that has a Moorish look, with its high arches,
over which the Banksia roses tumble in cascades of yellow and white. It
seems wrong that the voices which come from the tea-tables under the
Loggia should be chattering English or Yankee, instead of cooing that
"sweet bastard Latin" that better suits place and day.
The hostess shakes hands absently with Burgoyne, offers his fair charges
iced coffee, and then, having discharged her conscience towards them,
draws Byng away for an intimate chat. From her hands he passes into
those of several other willing matrons and maids, and it seems likely
that the party who brought him will see him no more. Amelia, unused to,
and unexpectant of attention, is perfectly content to sit silent,
sipping her cold coffee; but Cecilia is champing her bit in a way which
frightens her future brother-in-law so much that he cowardly takes the
opportunity of her looking in another direction to lure his docile
_fiancée_ on to the broad terrace, whence all the young green glory of
the Arno's plain, and the empurpled slopes and dreamful breast of
Morello, are to be seen by the looker's beauty-drunk eye. Upon this
terrace many people are walking and sitting in twos and threes, and in
one of the little groups Amelia presently discovers a female
acquaintance, who at once fastens upon her, and happening to be
afflicted with a relative visited by a disorder of something the same
nature as Sybilla's, subjects her to a searching and exhaustive
catechism as to the nature of her sister's symptoms. Sybilla's symptoms,
whether at first or second hand, have invariably the property of driving
Jim into desert places; and, in the present instance, seeing no
likelihood of an end to the relation of them, he turns impatiently away,
and, without much thought of where he is going, follows a steep downward
path that ends in a descent of old stone steps, between whose crevices
green plants and little hawkweed blow-balls flourish undisturbed, to a
large square well, framed by a low broad parapet, with flower-beds set
around it, and the whole closed in by rugged stone walls. No one
apparently has had the same impulse as he, for, at first, he has the
cool solitude to himself. He sits down on the parapet of the still well,
and drops in pebbles to see how deep the water is; and anon lifts his
idle look to the empty niches in the crumbling wall--niches where once
wood-god, or water-nymph, or rural Pan stood in stone, now empty and
forsaken. Out of the wall two ilexes grow, and lift themselves against
the sapphire arch, which yet is no sapphire, nor of any name that
belongs to cold stone; a blue by which all other blues are but feeble
colourless ghosts of that divinest tint.
Public-domain text, read in full here on John Shaqi.
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