It may be that Dürer then met for the first time too the Imperial
architect, Johannes Tscherte, for whom he afterwards drew two armillary
spheres, to take the place of those on which he had cast ridicule; for
Pirkheimer wrote to Tscherte: "I wish you could have heard how Albert
Dürer spoke to me about your plate, in which there is not one good
stroke, and laughed at me. What honour it will do us when it makes its
appearance in Italy, and the clever painters there see it!" To which
Tscherte replied: "Albert Dürer knows me well, he is also well aware
that I love art, though I am no expert at it; let him if he likes
despise my plate, I never pretended it was a work of art." And in a
later letter he speaks "of the armillary spheres drawn by our common
friend Albert Dürer." He was one of those who helped Dürer in his
mathematical and geometrical studies; and he, like Pirkheimer, dedicated
books to him. Although the mathematics of those times are hardly
considered seriously nowadays, they then ranked with verse-making as a
polite accomplishment, and had all the charm of novelty. Dürer, no
doubt, had some gift that way, as he seems to have made a hobby of them
during many years. Besides those who came in the Imperial troop, Dürer
had many opportunities of meeting men of this kind, for such were
constantly passing through Nuremberg. Dürer has left us what are
evidently portraits of some whose names are lost: of others we have both
name and likeness, among them the English ambassador, Lord Morley.
Public-domain text, read in full here on John Shaqi.
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