The problem that presented itself when I retired that night was
immaterial, perhaps, but new. I wondered quietly in what manner Mr.
Carville would regard Miss Fraenkel. Doubtless I was over-exacting, but
I desired to discover, in our neighbour's attitude towards the lady,
some clue to his attitude towards us. I felt vaguely that his candour
was not at all a mere casual fit of communicativeness of which we "just
happened" to be the recipients. If this were the case, it would
infallibly appear in his manner towards our voteless friend. It would be
... but no. My vanity did not carry me that far. The vanity of a man of
forty is generally a steed broken to harness; it will not prance far
into the unknown. I decided to wait until Mr. Carville decided the
matter for himself.
* * * * *
The spectacle, while I was shaving next morning, of Mr. Carville
proceeding sedately down Van Diemen's Avenue with his children, gave a
fresh vagueness to his image in my mind. It was as though a hand had
been passed over the picture, smudging the outlines and rendering the
whole thing of dubious value. A model father! In my bewilderment I
nearly cut myself. And yet, supposing, as I had been supposing, that Mr.
Carville had set out with the definite object of contrasting himself
vividly with his prodigal brother, would he not eventually take up the
role of dutiful parentage? The extraordinary thing was that the model
father should be also the artist.
I determined to abandon the Carville problem for an hour or two after
breakfast in favour of Maupassant. It is my custom to read once a year
at least, the chief works of that incomparable writer. The forenoon of
our Sunday has this peculiarity: no moral obligation to work is imposed
by our unwritten laws. If, on Sunday morning, I am discovered by Bill
leisurely turning over a pile of old magazines, or reading a story, I am
not greeted with "Do you call that work?" On the contrary, she will
probably sit down beside me and indulge in what may be charitably
described as gossip. Mac, too, will leave his palette and boards in
peace, will lie luxuriantly in the big rocker, or, spade on shoulder,
disappear among the shrubs at the lower end of the estate. We neglect
collars and appear brazenly at breakfast in shirt-sleeves on Sunday
mornings. It is for us a day of rest from the insistent badgering of
ideas. Our minds go into neglige; we forget editors and
advertising-managers for a while. Imagine then our dismay when I
reported my view of Mr. Carville in his brushed blue serge and Derby
hat, his glazed linen collar and dark green tie, passing sedately down
the Avenue, a neat child in each hand. There seemed to be no rift in
this man's armour of respectability. He seemed determined to maintain a
great and terrible contrast between his inner and outer life. O supreme
artist! I stretched myself on my sofa and opened Maupassant:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account