All the Sad Young MenFitzgerald, F. Scott (Francis Scott)
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All the Sad Young Men
Fitzgerald, F. Scott (Francis Scott)
American fiction -- 20th century; Short stories, American
"You must be in a bad way," went on John angrily, "if you have to take
out your temper on a helpless little baby."
"I never heard anything so damn twisted in my life," shouted Markey. "If
that wife of yours would shut her mouth for a minute----"
"Wait a minute! You're not talking to a woman and child now----"
There was an incidental interruption. Edith had been fumbling on a chair
for her coat, and Mrs. Markey had been watching her with hot, angry
eyes. Suddenly she laid Billy down on the sofa, where he immediately
stopped crying and pulled himself upright, and coming into the hall she
quickly found Edith's coat and handed it to her without a word. Then she
went back to the sofa, picked up Billy, and rocking him in her arms
looked again at Edith with hot, angry eyes. The interruption had taken
less than half a minute.
"Your wife comes in here and begins shouting around about how common we
are!" burst out Markey violently. "Well, if we're so damn common, you'd
better stay away! And, what's more, you'd better get out now!"
Again John gave a short, contemptuous laugh.
"You're not only common," he returned, "you're evidently an awful
bully--when there's any helpless women and children around." He felt for
the knob and swung the door open. "Come on, Edith."
Taking up her daughter in her arms, his wife stepped outside and John,
still looking contemptuously at Markey, started to follow.
"Wait a minute!" Markey took a step forward; he was trembling slightly,
and two large veins on his temple were suddenly full of blood. "You
don't think you can get away with that, do you? With me?"
Without a word John walked out the door, leaving it open.
Edith, still weeping, had started for home. After following her with his
eyes until she reached her own walk, John turned back toward the lighted
doorway where Markey was slowly coming down the slippery steps. He took
off his overcoat and hat, tossed them off the path onto the snow. Then,
sliding a little on the iced walk, he took a step forward.
At the first blow, they both slipped and fell heavily to the sidewalk,
half rising then, and again pulling each other to the ground. They found
a better foothold in the thin snow to the side of the walk and rushed at
each other, both swinging wildly and pressing out the snow into a pasty
mud underfoot.
The street was deserted, and except for their short tired gasps and the
padded sound as one or the other slipped down into the slushy mud, they
fought in silence, clearly defined to each other by the full moonlight
as well as by the amber glow that shone out of the open door. Several
times they both slipped down together, and then for a while the conflict
threshed about wildly on the lawn.
Public-domain text, read in full here on John Shaqi.
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