Philosophy; Russian literature -- History and criticism
prove a pitfall wherein cunning reason will catch the poor man who was
rushing out to freedom? There can be no two answers to this question.
All services rendered by reason must be paid for sooner or later at
the exorbitant price of self-renunciation. Whether you accept the
assistance in the noble form of the theory of knowledge, or merely as
a humble criterion, at last you will be driven forth into the streets
of positivism. This happens all the time to young, inexperienced minds.
They break the bridle and dash forward into space, to find themselves
rushing into the same old Rome, whither, as we know, all roads lead:
or, to use more lofty language, rushing into the stable whither also
all roads lead. The only way to guard against positivism--granting,
of course, that positivism no longer attracts your sympathies--is to
cease to fear any absurdities, whether rational or metaphysical, and
systematically to reject all the services of reason. Such behaviour has
been known in philosophy; and I make bold to recommend it. _Credo, quia
absurdum_ comes from the Middle Ages. Modern instances are Nietzsche
and Schopenhauer. Both present noble examples of indifference to logic
and common-sense: particularly Schopenhauer, who, a Kantian, even in
the name of Kant made such daring sallies against reason, driving her
into confusion and shame. That astounding Kantian even went so far, in
the master's name still, as to attempt the overthrow of the space and
time notions. He admitted clairvoyance--and to this day the learned are
bothered whether to class that admission among the metaphysical or the
ordinary absurdities. Really, I can't advise them. A very clever man
insists on an enormous absurdity, so I am satisfied. Schopenhauer's
whole campaign against intellect is very comforting. It is evident
that, though he set out from the Kantian stable, he soon got sick
of hauling along down the cart-ruts, and having broken the shafts,
he trotted jauntily into a jungle of irreconcilable contradictions,
without reflecting in the least where he was making for. The primate
of will over reason; and music as the expression of our deepest
essence; are not these assertions sufficient to show us how dexterously
he wriggled out from the harness of synthetic judgments _a priori_
which Kant had placed upon every thinker. There is indeed much more
music than logic in the philosophy of Schopenhauer; Not for nothing
is he excluded from the universities. But of course one may speak of
him in the open; not of his ideas, naturally, but of his music. The
European market is glutted with ideas. How neat and nicely-finished and
logically well-turned-out those ideas are. Schopenhauer had no such
goods. But what lively and splendid contradictions he boldly spreads
on his stall, often even without suspicion that he ought to hide them
from the police. Schopenhauer cries and laughs and gets furious or
glad, without ever realising that this is forbidden to a philosopher.
Public-domain text, read in full here on John Shaqi.
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