With snakes the procedure is simple. They are killed; treated to that
self-same system to which they used to treat us in our arboreal days
when the glassy eye of the serpent, gleaming through the branches, will
have caused our fur to stand on end with horror. No beast provokes human
hatred like that old coiling serpent. Long and cruel must have been his
reign for the memory to have lingered--how many years? Let us say, in
order to be on the safe side, a million. Here, then, is another ghost of
the past, a daylight ghost.
And look around you; the world is full of them. We live amid a legion of
ancestral terrors which creep from their limbo and peer in upon our
weaker moments, ready to make us their prey. A man whose wits are not
firmly rooted in earth, in warm friends and warm food, might well live a
life of ceaseless trepidation. Many do. They brood over their immortal
soul--a ghost. Others there are, whose dreams have altogether devoured
their realities. These live, for the most part, in asylums.
There flits, along this very shore, a ghost of another kind--that of
Shelley. Maybe the spot where they burnt his body can still be pointed
out. I have forgotten all I ever read on that subject. An Italian
enthusiast, the librarian of the Laurentian Library in Florence,
garnered certain information from ancient fishermen of Viareggio in
regard to this occurrence and set it down in a little book, a book with
white covers which I possessed during my Shelley period. They have
erected a memorial to the English poet in one of the public squares
here. The features of the bust do not strike me as remarkably etherial,
but the inscription is a good specimen of Italian adapted to lapidary
uses--it avoids those insipid verbal terminations which weaken the
language and sometimes render it almost ridiculous.
Smollet lies yonder, at Livorno; and Ouida hard by, at Bagni di Lucca.
She died in one of these same featureless streets of Viareggio, alone,
half blind, and in poverty....
I know Suffolk, that ripe old county of hers, with its pink villages
nestling among drowsy elms and cornfields; I know their "Spread Eagles"
and "Angels" and "White Horses" and other taverns suggestive--sure sign
of antiquity--of zoological gardens; I know their goodly ale and old
brown sherries. Her birthplace, despite those venerable green mounds, is
comparatively dull--I would not care to live at Bury; give me Lavenham
or Melford or some place of that kind. While looking one day at the
house where she was born, I was sorely tempted to crave permission to
view the interior, but refrained; something of her own dislike of prying
and meddlesomeness came over me. Thence down to that commemorative
fountain among the drooping trees. The good animals for whose comfort it
was built would have had some difficulty in slaking their thirst just
then, its basin being chocked up with decayed leaves.
Public-domain text, read in full here on John Shaqi.
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