Alone on a Wide Wide Sea, Vol. 2 (of 3)Russell, William Clark
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Alone on a Wide Wide Sea, Vol. 2 (of 3)
Russell, William Clark
English fiction -- 19th century; Sea stories
The tawny, flashing-eyed woman could now and again be seen by us as
the people about her moved the better to hear or to accommodate one
another with room. Her white teeth gleamed; a fierce smile was fixed
upon her face; her eyes of Egyptian blackness sparkled under the red
hood or handkerchief that covered her head, her skin looked of the
colour of pepper in the sunlight; she talked incessantly, with frequent
exhortatory flourishings of her arms, and distant as she was--almost
the whole length of the long poop-deck separating us--I could see how
wild, fierce, and repellant was her smile, whilst she glanced from one
face to another as she jabbered and gesticulated.
Frequent laughter broke from the passengers, and sometimes one or two
of the ladies recoiled by a step, though they would thrust in again a
minute after.
‘What can they be doing with the woman?’ said Alice.
‘They seem to be making fun of her,’ said I.
‘It is more likely that she is making fun of them,’ said Alice. ‘Is she
a gipsy? She has the appearance of one.’
‘What is a gipsy?’ I asked.
‘A person who belongs to a strange wandering tribe; whether there are
more tribes than one I do not know. They are to be found everywhere,
I believe. They look like Jews, but they are not Jews. It is supposed
that they originally came from Egypt or India. I used to take a great
interest in reading about them. I never can pronounce the word gipsy
without an English country picture rising before me; a wayside tract of
grass off a dusty road, clumps of trees here and there, the trickling
sound of a little brook mingled with the humming of bees and the lowing
of cattle in a near pasture, a waggon covered with canvas, two or three
dark-skinned little children playing on the grass, a tawny woman like
that creature there, bending over an iron pot dangling above a gipsy
fire, a fierce, bushy-whiskered, chocolate-faced man, mending chairs,
or making baskets, or tinkering at a little forge.’
She gazed at me earnestly when she ceased to speak. I knew that she
sought in the expression of my face for some sign of my recognition of
the picture she had drawn, for some hint of recollection in my looks. A
sudden burst of laughter broke from the people gathered about the gipsy.
‘I believe she is telling fortunes,’ said Alice; ‘shall we go and
listen to her, dear?’
Public-domain text, read in full here on John Shaqi.
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