Off came the great white hat, and down it swept till the top brushed the
grass in the depth of his homage. It was a bow that would have delighted
a lady, so evidently real in its intent, so full of the gentleman, so
thoroughly courtier-like, and yet honest. There was nothing to smile at
in that bow; there was not a young gentleman in Belgravia who could bow
in that way, for, in truth, we have forgotten how to bow in this
generation.
A writing and talking is always going on about the high place woman
occupies in modern society, but the fact is, we have lost our reverence
for woman as woman; it is after-dinner speech, nothing more, mere sham.
We don't venerate woman, and therefore we don't bow.
Grandfather Iden's bow would have won any woman's heart had it been
addressed to her, for there was veneration and courtesy, breeding, and
desire to please in it.
[Illustration]
CHAPTER XVI.
THE man he had seen at the window was young Raleigh Pamment, the son and
heir.
He had been sitting in an easy chair, one leg over the arm, busy with a
memorandum book, a stump of pencil, and a disordered heap of telegrams,
letters, and newspapers.
Everybody writes to Mr. Gladstone, a sort of human lion's mouth for
post-cards, but Raleigh junior had not got to manage the House of
Commons, the revenue, the nation, the Turks, South Africa, the Nile,
Ganges, Indus, Afghanistan, sugar, shipping, and Homer.
Yet Raleigh junior had an occasional table beside him, from which the
letters, telegrams, newspapers, and scraps of paper had overflowed on to
the floor. In a company's offices it would have taken sixteen clerks to
answer that correspondence; this idle young aristocrat answered it
himself, entered it in his day book, "totted" it up, and balanced
the--the residue.
Nothing at all businesslike, either, about him--nothing in the least
like those gentlemen who consider that to go in to the "office" every
morning is the sum total of life. A most unbusinesslike young fellow.
A clay pipe in his mouth, a jar of tobacco on another chair beside him,
a glass of whiskey for a paper-weight on his telegrams. An idle,
lounging, "bad lot;" late hours, tobacco, whiskey, and ballet-dancers
writ very large indeed on his broad face. In short, a young "gent" of
the latter half of the nineteenth century.
Not the slightest sign of "blue blood" anywhere; not even in the cut of
his coat, no Brummel-like elegance; hardly a Bond Street coat at
all--rough, large, coarse cloth. If he had stood at the door of a shop
he would have done very well indeed for a shopkeeper, the sort that
drives about in a cart for orders.
Of his character nothing could be learned from his features. His face
was broad, rather flat, with a short but prominent nose; in spite of
indulgence, he kept a good, healthy, country colour. His neck was thick,
his figure stout, his hands big--a jovial, good-tempered looking man.
Public-domain text, read in full here on John Shaqi.
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