American Hero-Myths: A Study in the Native Religions of the Western ContinentBrinton, Daniel G. (Daniel Garrison)
Religion
American Hero-Myths: A Study in the Native Religions of the Western Continent
Brinton, Daniel G. (Daniel Garrison)
Indian mythology; Indians -- Religion
They have hovered about the dawn of American history long enough. To them
have been attributed not only the primitive culture of Central America and
Mexico, but of lands far to the north, and even the earthworks of the Ohio
Valley. It is time they were assigned their proper place, and that is
among the purely fabulous creations of the imagination, among the giants
and fairies, the gnomes and sylphs, and other such fancied beings which in
all ages and nations the popular mind has loved to create.
Toltec, Toltecatl,[1] which in later days came to mean a skilled craftsman
or artificer, signifies, as I have said, an inhabitant of Tollan--of the
City of the Sun--in other words, a Child of Light. Without a metaphor, it
meant at first one of the far darting, bright shining rays of the sun. Not
only does the tenor of the whole myth show this, but specifically and
clearly the powers attributed to the ancient Toltecs. As the immediate
subjects of the God of Light they were called "Those who fly the whole day
without resting,"[2] and it was said of them that they had the power of
reaching instantly even a very distant place. When the Light-God himself
departs, they too disappear, and their city is left uninhabited and
desolate.
[Footnote 1: Toltecatl, according to Molina, is "oficial de arte mecanica
ò maestro," (_Vocabulario de la Lengua Mexicana_, s.v.). This is a
secondary meaning. Veitia justly says, "Toltecatl quiere decir artifice,
porque en Thollan comenzaron a enseñar, aunque a Thollan llamaron Tula, y
por decir Toltecatl dicen Tuloteca" (_Historia_, cap. xv).]
[Footnote 2: Their title was _Tlanqua cemilhuique_, compounded of
_tlanqua_, to set the teeth, as with strong determination, and
_cemilhuitia_, to run during a whole day. Sahagun, _Historia_, Lib. iii,
cap. iii, and Lib. x, cap. xxix; compare also the myth of Tezcatlipoca
disguised as an old woman parching corn, the odor of which instantly
attracted the Toltecs, no matter how far off they were. When they came she
killed them. Id. Lib. iii, cap. xi.]
In some, and these I consider the original versions of the myth, they do
not constitute a nation at all, but are merely the disciples or servants
of Quetzalcoatl.[1] They have all the traits of beings of supernatural
powers. They were astrologers and necromancers, marvelous poets and
philosophers, painters as were not to be found elsewhere in the world, and
such builders that for a thousand leagues the remains of their cities,
temples and fortresses strewed the land. "When it has happened to me,"
says Father Duran, "to ask an Indian who cut this pass through the
mountains, or who opened that spring of water, or who built that old ruin,
the answer was, 'The Toltecs, the disciples of Papa.'"[2]
[Footnote 1: "Discipulos," Duran, _Historia_, in Kingsborough, vol. vii,
p. 260.]
[Footnote 2: Ibid.]
Public-domain text, read in full here on John Shaqi.
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