American literary mastersVincent, Leon H. (Leon Henry)
History
American literary masters
Vincent, Leon H. (Leon Henry)
American literature -- History and criticism; Authors, American
In _The Headsman_ we follow the story of a highborn girl who has given
her heart to a young soldier of fortune only to discover in him the son
of that most loathed of beings, the official executioner of Berne. The
office is hereditary, and were the youth’s real condition known the
odious duties would in time fall on him. It is a foregone conclusion
that Sigismund shall be found to be of noble birth, and Adelheid’s
reward proportioned to the greatness of her soul. This is but one
thread of a fairly complicated and romantic plot. The interest of the
narrative is well sustained and the denouement unanticipated. None of
these three romances is, strictly speaking, a novel of purpose, and
the least attractive deserves friendlier critical treatment than is
commonly accorded it.
In the same group may be placed _Mercedes of Castile_, which, if
it cannot hold the attention by reason of the loves of Don Luis de
Bobadilla and Mercedes, and the fate of the unfortunate Ozema, may be
read (by whoever can take history well diluted with fiction) for the
story of Columbus’s first voyage.
_The Monikins_ contrasts the ways of men with the ways of monkeys,
much to the disadvantage of men. Really it is no duller than some of
the professed satire of the present day; it is merely longer and more
desperately serious.
_Homeward Bound_ and _Home as Found_ form two parts of a single
novel. The satire of the first part is forgotten in the movement
of the narrative, the sea-chase, the wreck off the African coast,
the fight with the Arabs. The second part is a diatribe on New York
and Cooperstown in particular, and America in general. The chief
characters, the Effinghams, mean well, but ‘they have an unfortunate
manner,’ and their disagreeable traits are not so piquant as to be
entertaining. Steadfast Dodge, the editor, is almost as unreal as
the Effinghams. Captain Truck is a genuine brother man, resourceful
as master of the ‘Montauk,’ and not helpless when figuring (without
his connivance) as a great English author, at Mrs. Legend’s literary
soirée.
Horatio Greenough had the ‘Effingham’ books in mind when he wrote to
Cooper: ‘I think you lose hold on the American public by rubbing down
their shins with brickbats as you do.’
VIII
TRAVELS, HISTORY, POLITICAL WRITINGS AND LATEST NOVELS
Cooper was a giant of productivity. Some brief comment has been made
on twenty-three of his novels. It is impossible in the limits of this
study to do much beyond giving the titles of his remaining books.
_The History of the Navy of the United States of America_ begins with
‘the earliest American sea-fight’ (May, 1636), when John Gallop in a
sloop of twenty tons captured a pinnace manned by thieving Indians,
and closes with the War of 1812. The noteworthy features of the book
are accuracy, independence, severity of style, and freedom from
spread-eagleism. The brief _Chronicles of Cooperstown_, written in a
plain way, has the natural interest attaching to the subject and the
author.
Public-domain text, read in full here on John Shaqi.
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