American renaissance; a review of domestic architectureDow, Joy Wheeler
History
American renaissance; a review of domestic architecture
Dow, Joy Wheeler
Architecture -- United States; Architecture, Domestic
The open-timbered work of Elizabethan houses in America has become very
common, and I do not know that I may add any observations of importance
concerning this treatment. In the _House Beautiful_ for March, 1901,
will be found an article upon the subject, mostly in reference, however,
to a cottage named “Canterbury Keys,” illustration of which herein
appears (Plate LXVIII). Open-timbered work is also common to France,
Holland and Germany, and, notwithstanding an occasional inimical critic
upon the way we construct it in America, is thoroughly good
architectural development, and will continue to live in the history of
the future because it has history of the past to tell--delicious
reminiscences of snug old Anglo-Saxon homes. Moreover, Elizabethan
architecture instances a scientific focus of the Gothic and Renaissance
spirits, habitually unfriendly, where under the hand of the master these
spirits are made to coalesce in love and tranquillity delightful to see.
Mr. Gotch in his “Early Renaissance of England” calls all three schools
of design--Tudor, Elizabethan and Jacobean--uniformly Renaissance
development because all were influenced by the architecture of Italy,
though the Tudor style, hardly perceptibly; but the real English
Renaissance, classified for the better understanding of the term,
belongs to the later development under the Georges. And it was to this
subdivision of the mighty subject that American Renaissance served its
apprenticeship, although the articles of indenture, I contend, were
legally canceled by the
PLATE LXXIV.
[Illustration: HAMPTON COURT--WOLSEY PALACE.]
PLATE LXXV.
[Illustration: HAMPTON COURT--SOUTH PALACE.]
responsibilities of the “Grand Epoch” (see Chapter V). If there ever
existed a condition of unproductive tutelage in America as is imputed by
envious critics, it was during the Transitional period. In the earlier
chapters of this review, I have defended American Renaissance against
all detracting imputations concerning its legitimacy, its honor and its
merit, and I do not think I wish to amend anything I have said.
Public-domain text, read in full here on John Shaqi.
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