American Scenery, Vol. 1 (of 2): or, Land, lake, and river illustrations of transatlantic natureWillis, Nathaniel Parker
General
American Scenery, Vol. 1 (of 2): or, Land, lake, and river illustrations of transatlantic nature
Willis, Nathaniel Parker
United States -- Description and travel
he leans on his elbows, and watches the yeasty writhe in the abysm, and
the solemn pillars of crystal eternally falling, like the fragments of
some palace-crested star, descending through interminable space. The
white field of the iris forms over the brow of the cataract, exhibits
its radiant bow, and sails away in a vanishing cloud of vapour upon the
wind; the tortured and convulsed surface of the caldron below shoots out
its frothy and seething circles in perpetual torment; the thunders are
heaped upon each other, the earth trembles, and—the bell rings for
breakfast! A vision of cold rolls, clammy omelettes, and tepid tea,
succeeds these sublime images, and the traveller completes his toilet.
Breakfast over, he resorts to the colonnade, to contemplate untiringly
the scene before him, and in the midst of a calculation of the progress
of the Fall towards Lake Erie,—with the perspiration standing on his
forehead, while he struggles to conceive the junction of its waters with
Lake Ontario,—the rocks rent, the hills swept away, forests prostrated,
and the islands uprooted in the mighty conflux,—some one’s child
escapes from its nurse, and seizing him by the legs, cries out
“_Da-da_.”
The _ennui_ attendant upon public-houses can never be felt at Clifton
House. The most common mind finds the spectacle from its balconies a
sufficient and untiring occupation. The loneliness of uninhabited
parlours, the discord of baby-thrummed pianos, the dreariness of great
staircases, long entries, and bar-rooms filled with strangers, are pains
and penalties of travel never felt at Niagara. If there is a vacant
half-hour to dinner, or if indisposition to sleep create that sickening
yearning for society, which sometimes comes upon a stranger in a strange
land, like the calenture of a fever,—the eternal marvel going on
without is more engrossing than friend or conversation, more beguiling
from sad thought than the Corso in carnival-time. To lean over the
balustrade and watch the flying of the ferry-boat below, with its
terrified freight of adventurers, one moment gliding swiftly down the
stream in the round of an eddy, the next, lifted up by a boiling wave,
as if it were tossed up from the scoop of a giant’s hand beneath the
water; to gaze hour after hour into the face of the cataract, to trace
the rainbows, delight like a child in the shooting spray-clouds, and
calculate fruitlessly and endlessly by the force, weight, speed, and
change of the tremendous waters,—is amusement and occupation enough to
draw the mind from any thing,—to cure madness or create it.
[Illustration]
VIEW FROM HYDE PARK.
* * * * *
Public-domain text, read in full here on John Shaqi.
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