American Scenery, Vol. 1 (of 2): or, Land, lake, and river illustrations of transatlantic natureWillis, Nathaniel Parker
General
American Scenery, Vol. 1 (of 2): or, Land, lake, and river illustrations of transatlantic nature
Willis, Nathaniel Parker
United States -- Description and travel
The Hudson at Hyde Park is a broad, tranquil, and noble river, of about
the same character as the Bosphorus above Roumeli-bissar, or the
Dardanelles at Abydos. The shores are cultivated to the water’s edge,
and lean up in graceful, rather than bold elevations; the eminences
around are crested with the villas of the wealthy inhabitants of the
metropolis at the river’s mouth; summer-houses, belvideres, and
water-steps, give an air of enjoyment and refreshment to the banks, and,
without any thing like the degree of the picturesque which makes the
river so remarkable thirty or forty miles below, it is, perhaps, a more
tempting character of scenery to build and live among.
All along, in this part of the river, occur the “landings,” which are
either considerable towns in themselves, or indicate a thickly settled
country in the rear. The immense steamers that ply on the Hudson leave
and receive passengers at all these points, and, to a person making the
passage for the first time, the manner and expedition of this operation
is rather startling. In the summer time, the principal steam boats
average from five to seven hundred passengers, and there is usually a
considerable number to go ashore and come off at each place. A mile or
two before reaching the spot, a negro makes the tour of the boat, with a
large hand-bell, and, in an amusing speech, full of the idioms of his
own race, announces the approach, and requests those who are going
ashore to select their baggage. This done, the steamer, gliding over the
smooth water at the rate of fifteen or twenty miles in the hour, sheers
in toward the shore, and the small boat is lowered, with the captain in
her at the helm; the passengers are put on board, and away she shoots at
the end of a line gradually loosened, but still kept tight enough to
send her, like an arrow to her mark. The moment she touches the pier,
the loose line is let out from the steamer, which still keeps on her
way, and between that moment and the exhaustion of the line, perhaps
thirty seconds, the baggage is thrown out, and taken in, passengers jump
ashore, and embark, and away shoots the little boat again, her bow
rising clear over the crest of her own foam, with the added velocity of
the steamer at full speed, and the rapid hauling in of the crew. I never
have failed to observe a look of astonishment on the part of the
subjects of this hurried transfer, however used to it by frequent
repetition; and a long sigh of relief, as they look about on the broad
and steady deck, or tread the ground beneath them if they have gone
ashore, follows as invariably. As the boat is hauled up again, the negro
crier reappears with his bell, and, looking the newly arrived group
close in the face, cries out, as if they were a mile off, “All pas’ng’rs
as hasn’t paid their passage, please walk to the cap’n’s office and
settLE-E-E!!”—the whole sentence recited in the most monotonous tone
till the last syllable, which rises suddenly to a ludicrous scream,
Public-domain text, read in full here on John Shaqi.
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