American Scenery, Vol. 2 (of 2): or, Land, lake, and river illustrations of transatlantic natureWillis, Nathaniel Parker
General
American Scenery, Vol. 2 (of 2): or, Land, lake, and river illustrations of transatlantic nature
Willis, Nathaniel Parker
United States -- Description and travel
“This avenue was enlivened with apparitions of grave matrons and
stirring damsels, moving erect in stately transit, like the wooden and
pasteboard figures of a puppet-show; our present grandmothers, arrayed
in gorgeous brocade and taffeta, luxuriantly displayed over hoops, with
comely bodices, laced around that ancient piece of armour, the stay,
disclosing most perilous waists; and with sleeves that clung to the arm
as far as the elbow, where they took a graceful leave, in ruffles that
stood off like the feathers of a bantam. And such faces as they bore
along with them!—so rosy, so spirited, and sharp!—with the hair all
drawn back over a cushion, until it lifted the eyebrows, giving an
amazingly fierce and supercilious tone to the countenance, and falling
in cataracts upon the shoulders. Then they stepped away with such a
mincing gait, in shoes of many colours, with formidable points to the
toes, and high and tottering heels, fancifully cut in wood; their
tower-built hats garnished with tall feathers that waved
aristocratically backward at each step, as if they took a pride in the
slow paces of the wearer.
“In the train of these goodly groups came the beaux and gallants, who
upheld the chivalry of the age; cavaliers of the old school, full of
starch and powder, most of them the iron gentlemen of the revolution,
with leather faces—old campaigners, renowned for long stories, fresh
from the camp, with their military erectness and daredevil swagger;
proper roystering blades, who had just got out of the harness, and began
to affect the manners of civil life. Who but they!—jolly fellows,
fiery, and loud!—with stern glances of the eye, and a brisk turn of the
head, and a swashbuckler strut of defiance, like game cocks; all in
three-cornered hats and wigs, and light-coloured coats, with narrow
capes and marvellous long backs, with the pockets on each hip, and
small-clothes that hardly reached the knee; and striped stockings, with
great buckles in their shoes, and their long steel chains that hung
conceitedly, half way to the knee, with seals in the shape of a sounding
board to a pulpit. And they walked with such a stir, striking their
canes so hard upon the pavement, as to make the little town ring again.
I defy all modern coxcombry to produce any thing like it. There was such
a relish about it—and particularly when one of these weather-beaten
gallants accosted a lady in the street, with a bow that required a whole
side pavement to make it in, with the scrape of his foot, and his cane
thrust with a flourish under his left arm till it projected behind,
along with his cue, like the pallisades of a _chevaux-de-frize_; and
nothing could be more piquant than the lady, as she reciprocated the
salutation with a curtsey that seemed to carry her into the earth, with
her chin bridled to her breast—and such a volume of dignity!”
[Illustration]
VIEW OF THE EXCHANGE AND GIRARD’S BANK,
PHILADELPHIA.
Public-domain text, read in full here on John Shaqi.
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