American Unitarian Hymn Writers and HymnsFoote, Henry Wilder
Religion
American Unitarian Hymn Writers and Hymns
Foote, Henry Wilder
Hymn writers; Hymns, English -- History and criticism; Unitarian Universalist churches -- Hymns -- History and criticism
Written for a service in Bangor, Maine, held on Good Friday, 1843,
in six stanzas, the last three of which, beginning
_It is finished, Man of sorrows!_
had considerable use in Great Britain and this country. The whole
six stanzas were included in Longfellow and Johnson’s _Book of
Hymns_, 1846, as “Anonymous.” The last three stanzas are in
Martineau’s _Hymns_ and in many other collections.
He also wrote a hymn beginning
9. _Lo! another offering,_
_To Thy courts this day we bring,_
for his own ordination at West Cambridge in 1829, which was also
used at the ordination of F. A. Whitney, at Brighton,
Massachusetts, on February 24, 1844, but which passed into no
collections.
All these hymns, and two other religious poems, are included in
Putnam’s Singers and _Songs of the Liberal Faith_. Most of them had
gone out of use by the end of the 19^th century, but nos. 1, 6 and 8
(beginning _It is finished, Man of sorrows_,) are in _The New Hymn and
Tune Book_, 1914, and in _Hymns of the Spirit_, 1937.
By far the best known of Hedge’s hymns is his fine and accurate
translation of Luther’s great chorale _Ein’ feste Burg_ (no. 1). This
is the version accepted by almost all the Protestant denominations in
this country, whereas in Great Britain Thomas Carlyle’s earlier
translation (1831) is generally used, although James Martineau
included Hedge’s version in his _Hymns of Praise and Prayer_, 1873,
mistakenly attributing it to Samuel Longfellow. Putnam, _op. cit._,
214, says that it was first printed in W. H. Furness’s _Gems of German
Verse_, which appeared in Philadelphia, without date but undoubtedly
in the latter part of 1853, a second edition following in 1859. That
Hedge should have sent his translation of the chorale to Furness
without delay was natural, because the two men were close friends with
a common interest in German literature, and Putnam was the younger
contemporary of both, in a position to know that Furness’s little book
had appeared on the market a few days, or weeks, ahead of the
collection of hymns which Hedge and F. D. Huntington were editing and
which they published late in 1853 as _Hymns for the Church of Christ_.
Public-domain text, read in full here on John Shaqi.
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