American Woman's Home: Or, Principles of Domestic Science;: Being a Guide to the Formation and Maintenance of Economical, Healthful, Beautiful, and Christian HomesStowe, Harriet Beecher
Religion
American Woman's Home: Or, Principles of Domestic Science;: Being a Guide to the Formation and Maintenance of Economical, Healthful, Beautiful, and Christian Homes
Stowe, Harriet Beecher
Home economics
Having duly arranged for the physical necessities of a healthful and
comfortable home, we next approach the important subject of _beauty_ in
reference to the decoration of houses. For while the aesthetic element
must be subordinate to the requirements of physical existence, and, as a
matter of expense, should be held of inferior consequence to means of
higher moral growth; it yet holds a place of great significance among
the influences which make home happy and attractive, which give it a
constant and wholesome power over the young, and contributes much to the
education of the entire household in refinement, intellectual
development, and moral sensibility.
Here we are met by those who tell us that of course they want their
houses handsome, and that, when they get money enough, they intend to
have them so, but at present they are too poor, and because they are
poor they dismiss the subject altogether, and live without any regard
to it.
We have often seen people who said that they could not afford to make
their houses beautiful, who had spent upon them, outside or in, an
amount of money which did not produce either beauty or comfort, and
which, if judiciously applied, might have made the house quite charming.
For example, a man, in building his house, takes a plan of an architect.
This plan includes, on the outside, a number of what Andrew Fairservice
called "curlywurlies" and "whigmaliries," which make the house neither
prettier nor more comfortable, and which take up a good deal of money.
We would venture to say that we could buy the chromo of Bierstadt's
"Sunset in the Yosemite Valley," and four others like it, for half the
sum that we have sometimes seen laid out on a very ugly, narrow, awkward
porch on the outside of a house. The only use of this porch was to
cost money, and to cause every body who looked at it to exclaim as
they went by, "What ever induced that man to put a thing like that on
the outside of his house?"
Then, again, in the inside of houses, we have seen a dwelling looking
very bald and bare, when a sufficient sum of money had been expended
on one article to have made the whole very pretty: and it has come
about in this way.
Public-domain text, read in full here on John Shaqi.
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