Amiel's Journal: The Journal Intime of Henri-Frédéric AmielAmiel, Henri Frédéric
Philosophy
Amiel's Journal: The Journal Intime of Henri-Frédéric Amiel
Amiel, Henri Frédéric
Amiel, Henri Frédéric, 1821-1881 -- Diaries; Authors, Swiss -- 19th century -- Diairies
February 20th.--I have almost finished these two volumes of _Pensées_
and the greater part of the _Correspondance_. This last has especially
charmed me; it is remarkable for grace, delicacy, atticism, and
precision. The chapters on metaphysics and philosophy are the most
insignificant. All that has to do with large views with the whole of
things, is very little at Joubert’s command; he has no philosophy of
history, no speculative intuition. He is the thinker of detail, and his
proper field is psychology and matters of taste. In this sphere of the
subtleties and delicacies of imagination and feeling, within the circle
of personal affectation and preoccupations, of social and educational
interests, he abounds in ingenuity and sagacity, in fine criticisms,
in exquisite touches. It is like a bee going from flower to flower, a
teasing, plundering, wayward zephyr, an Aeolian harp, a ray of furtive
light stealing through the leaves. Taken as a whole, there is something
impalpable and immaterial about him, which I will not venture to call
effeminate, but which is scarcely manly. He wants bone and body: timid,
dreamy, and _clairvoyant_, he hovers far above reality. He is rather a
soul, a breath, than a man. It is the mind of a woman in the character
of a child, so that we feel for him less admiration than tenderness and
gratitude.
February 27, 1851.--Read over the first book of _Emile_. I was revolted,
contrary to all expectation, for I opened the book with a sort of
hunger for style and beauty. I was conscious instead of an impression of
heaviness and harshness, of labored, _hammering_ emphasis, of something
violent, passionate, and obstinate, without serenity, greatness,
nobility. Both the qualities and the defects of the book produced in
me a sense of lack of good manners, a blaze of talent, but no grace, no
distinction, the accent of good company wanting. I understood how it is
that Rousseau rouses a particular kind of repugnance, the repugnance of
good taste, and I felt the danger to style involved in such a model
as well as the danger to thought arising from a truth so alloyed and
sophisticated. What there is of true and strong in Rousseau did not
escape me, and I still admired him, but his bad sides appeared to me
with a clearness relatively new.
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