June 16, 1851.--This evening I walked up and down on the Pont des Bergues, under a clear, moonless heaven delighting in the freshness of the water, streaked with light from the two quays, and glimmering under the twinkling stars. Meeting all these different groups of young people, families, couples and children, who were returning to their homes, to their garrets or their drawing-rooms, singing or talking as they went, I felt a movement of sympathy for all these passers-by; my eyes and ears became those of a poet or a painter; while even one’s mere kindly curiosity seems to bring with it a joy in living and in seeing others live. August 15, 1851.--To know how to be ready, a great thing, a precious gift, and one that implies calculation, grasp and decision. To be always ready a man must be able to cut a knot, for everything cannot be untied; he must know how to disengage what is essential from the detail in which it is enwrapped, for everything cannot be equally considered; in a word, he must be able to simplify his duties, his business, and his life. To know how to be ready, is to know how to start. It is astonishing how all of us are generally cumbered up with the thousand and one hindrances and duties which are not such, but which nevertheless wind us about with their spider threads and fetter the movement of our wings. It is the lack of order which makes us slaves; the confusion of to-day discounts the freedom of to-morrow. Confusion is the enemy of all comfort, and confusion is born of procrastination. To know how to be ready we must be able to finish. Nothing is done but what is finished. The things which we leave dragging behind us will start up again later on before us and harass our path. Let each day take thought for what concerns it, liquidate its own affairs and respect the day which is to follow, and then we shall be always ready. To know how to be ready is at bottom to know how to die. September 2, 1851.--Read the work of Tocqueville (“_De la Democratie en Amérique_.”) My impression is as yet a mixed one. A fine book, but I feel in it a little too much imitation of Montesquieu. This abstract, piquant, sententious style, too, is a little dry, over-refined and monotonous. It has too much cleverness and not enough imagination. It makes one think, more than it charms, and though really serious, it seems flippant. His method of splitting up a thought, of illuminating a subject by successive facets, has serious inconveniences. We see the details too clearly, to the detriment of the whole. A multitude of sparks gives but a poor light. Nevertheless, the author is evidently a ripe and penetrating intelligence, who takes a comprehensive view of his subject, while at the same time possessing a power of acute and exhaustive analysis.