THE facts that Moorish workmen should have been found in Toledo, Segovia, and elsewhere in Spain, to modify their national style, in their Mudejar work, and to incorporate freely in it many features of late mediæval work; while they scarcely ever lent themselves to any expression of Renaissance form, although they occasionally laboured in buildings of that style, have been supposed to imply a greater affinity between Arabian and Gothic modes of design, than between the Arabian style and Plateresque. This may, to some extent, account for the presence of this Mudejar work, assimilating in no way with the last-mentioned style, in a building of so distinctly a Renaissance character as this one possesses. The fact is, however, rather thus--that after the expulsion of the Moors, and the institution of the Inquisition (the period of the construction of this Hospital), the Moorish artificers diminished very rapidly in number, and lost their individuality almost entirely in Northern and Central Spain; and that, whereas, during several centuries they had lived there in cities in which Gothic architecture was practised by Christians, and had thus made themselves partially acquainted with its details, they had but a short term of scarcely tolerated national existence wherein to learn the novelties which were beginning to be taken up by the Spaniards, at the commencement of the sixteenth century. My sketch, while it indicates the elaboration of this late specimen of Mudejar stucco-work, shows by the figures I have introduced (from life) the class to whose tender mercies this gem is now confided. Let it be hoped that the "Genius loci," may protect it, for the respectable Spanish soldier of the nineteenth century can scarcely be regarded as a satisfactory Conservative element. [Illustration: PLATE 47 TOLEDO GREAT DOORWAY OF THE ALCAZAR MDW 1869] PLATE XLVII. _TOLEDO._ ENTRANCE GATEWAY TO THE ALCAZAR.