An Eagle Flight: A Filipino Novel Adapted from Noli Me TangereRizal, José
History
An Eagle Flight: A Filipino Novel Adapted from Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
There was a crowd in the parvis, and men, women, and children
in a stream were coming and going through the narrow doors of
the church. The smell of powder mingled with that of flowers and
incense. Rockets, bombs, and serpents made women run and scream and
delighted the children. An orchestra was playing before the convent;
bands accompanied dignitaries on their way to the church, or paraded
the streets under innumerable floating and dipping flags. Light and
color distracted the eye, music and explosions the ear.
High mass was about to be celebrated. Among the congregation were
to be the chief alcalde of the province and other Spanish notables;
and last, the sermon would be given by Brother Damaso, who had the
greatest renown as a preacher.
The church was crammed. People were jostled, crushed, trampled on, and
cried out at each encounter. From far they stretched their arms to dip
their fingers in the holy water, but getting nearer, saw its color, and
the hands retired. They scarcely breathed; the heat and atmosphere were
insupportable; but the preacher was worth the endurance of all these
miseries; besides, his sermon was to cost the pueblo two hundred and
fifty pesos. Fans, hats, and handkerchiefs agitated the air; children
cried, and gave the sacristans a hard enough task getting them out.
Ibarra was in a corner. Maria Clara knelt near the high altar, where
the curate had reserved a place for her. Captain Tiago, in frock coat,
sat on the bench of authorities, and the children, who did not know
him, taking him for another gobernadorcillo, dared not go near him.
At length the alcalde arrived with his suite. He came from the
sacristy, and sat down in a splendid fauteuil, beneath which was
spread a rich carpet. He was in full dress, and wore the cordon of
Charles III., with four or five other decorations.
"Ha!" cried a countryman. "A citizen in fancy dress!"
"Imbecile!" replied his neighbor. "It's Prince Villardo whom we
saw last night in the play!" And the alcalde, in the character of
giant-slayer, rose accordingly in the popular estimation.
Presently those seated arose, those sleeping awoke, the mass had
begun. Brother Salvi celebrated, attended by two Augustins. At length
came the long-looked-for moment of the sermon. The three priests
sat down, the alcalde and other notables followed them, the music
ceased. The people made themselves as comfortable as possible, those
who had no benches sitting outright on the pavement, or arranging
themselves tailor fashion.
Preceded by two sacristans and followed by another monk, who bore
a great book, Father Damaso made his way through the crowd. He
disappeared a moment in the spiral staircase of the pulpit, then
his great head reappeared and his herculean bust. He looked over his
audience, and, the review terminated, said to his companion, hidden
at his feet:
"Attention, brother!"
The monk opened his book.
XXV.
THE SERMON.
Public-domain text, read in full here on John Shaqi.
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