I fear my last letter to you from Lucerne may either have strayed, or not
even have begun straying: for in the hurry of coming away I left it,
addressed, I _think_, but unstamped; and I am not sure that that
particular hotel will be Christian enough to spare the postage out of the
bill, which had a galaxy of small extras running into centimes, and
suggesting a red-tape rectitude that would not show blind
twenty-five-centime gratitude to the backs of departed guests. So be
patient and forgiving if I seem to have written little. I found two of
yours waiting for me, and cannot choose between them which I find most
dear. I will say, for a fancy, the shorter, that you may ever be
encouraged to write your shortest rather than none at all. One word from
you gives me almost as much pleasure as twenty, for it contains all your
sincerity and truth; and what more do I want? Yon bless me quite. How many
perfectly happy days I owe to you, and seldom dare dream that I have made
any beginning of a return! If I could take one unhappy day out of your
life, dearest, the secret would be mine, and no such thing should be left
in it. Be happy, beloved! oh, happy, happy,--with me for a partial
reason--that is what I wish!
LETTER XXXI.
Dearest: The Italian paper-money paralyzes my brain: I cannot
calculate in it; and were I left to myself an unscrupulous shopman could
empty me of pounds without my becoming conscious of it till I beheld
vacuum. But the T----s have been wonderful caretakers to me: and
to-morrow Arthur rejoins us, so that I shall be able to resume my full
activities under his safe-conduct.
The ways of the Italian cabbies and porters fill me with terror for the
time when I may have to fall alive and unassisted into their hands: they
have neither conscience nor gratitude, and regard thievish demands when
satisfied merely as stepping-stones to higher things.
Many of the outsides of Florence I seemed to know by heart--the Palazzo
Vecchio for instance. But close by it Cellini's two statues, the Judith
and the Perseus, brought my heart up to my mouth unexpectedly. The
Perseus is so out of proportion as to be ludicrous from one point of
view: but another is magnificent enough to make me forgive the scamp his
autobiography from now to the day of judgment (when we shall all begin
forgiving each other in great haste, I suppose, for fear of the devil
taking the hindmost!), and I registered a vow on the spot to that
effect:--so no more of him here, henceforth, but good!
There is not so much color about as I had expected: and austerity rather
than richness is the note of most of the exteriors.
Public-domain text, read in full here on John Shaqi.
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